Produced in Berlin in 1919, Ernst Lubitsch's the Doll (Die Puppe) is a charming romantic fantasy that shows the director already in full command of the now-legendary "Lubitsch touch."

Five early fantasy and trick films--including a previously-unseen trick film by Georges Méliès, hand-colored films from Segundo de Chomon and Gaston Velle, and astonishing stop-motion animation from 1911.

Somewhere between a modern-day nightmare and a techno-fetishist's ultimate fantasy, this extraordinary film from Shinya Tsukamoto (Vital, A Snake of June) caused a cult sensation when first released. A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of disease that is turning his body into scrap metal, and that his nemesis is not in fact dead but is somehow masterminding and guiding his rage and frustration-fueled transformation.