Title
Summary
A group of filmmakers visit Ingmar Bergman's house on the remote Swedish island of Faro to discuss his legacy, and the art of filmmaking. Ingmar Bergmans life and his key films as seen and told by the greatest actors and directors of our time. Candid, funny and explicit interviews with the likes of Lars Von Trier, Martin Scorsese, Woody Allen, Isabella Rossellini and Michael Haneke - some shoot at Bergmans last home on the island of Fårö - interwoven with never before seen footage from behind-the-scenes at many of the Swedish masters films.
Summary
Filmmakers discuss Bergman's work and influence on cinema.
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Summary
During a six-year period in the mid-twentieth century something unsurpassed happens. A lanky and not very well known Swede, about to turn forty years old, enters a period of film production without precedent. Between 1957 and 1963 he directs some of the greatest classics in the history of cinema. BERGMAN reveals previously untold stories and information about Ingmar Bergman's life and character, but also discloses his inner life through his own words. Few artists have explained themselves as extensively and intimately as Ingmar Bergman. From archive interviews, his memoirs and his working journals, we get a unique insight in his working and creative methods, his violent temper, his fears and anxieties, his passions and his doubts. BERGMAN also explores the existential themes of his films that form the core of Bergman's influential artistic legacy and relate these to his private life.
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Directors Thomas Alfredson and Wes Anderson discuss comedy filmmaking and Bergman's films.
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Alejandro Innárritu comes to Bergman's home and muses on filmmaking and death.
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Acclaimed directors Zhang Yimou and Daniel Espinosa discuss Bergman's film taste, and their own sense of adventure.
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Claire Denis visits Bergman's home, browses his collection, and discusses his impact on her work.
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Legendary director Michael Haneke discusses his use of violence in cinema while browsing Bergman's video collection.
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Blockbuster director John Landis makes the voyage to Bergman's home and opens up about his love for film.
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