Florence, early XVI century. Although widely considered a genius by his contemporaries, Michelangelo Buonarroti (Alberto Testone) is reduced to poverty and depleted by his struggle to finish the ceiling of the Sistine Chapel. When his commissioner and head of the Della Rovere nobility Pope Julius II dies, Michelangelo becomes obsessed with sourcing the finest marble to complete his tomb. The artist's loyalty is tested when Leo X, of the rival Medici family, ascends to the papacy and charges him with a lucrative new commission - the façade of the San Lorenzo basilica. Forced to lie to maintain favor with both families, Michelangelo is progressively tormented by suspicion and hallucinations, leading him to ruthlessly examine his own moral and artistic failings. Written and directed by Andrei Konchalovsky, SIN is a gripping reflection on the agony and ecstasy of individual greatness, and the profound humanity behind the legend of the Renaissance.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. The postman's beloved woman escapes the village life and moves to the city. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

When the communist government raises food prices in 1962, the rebellious workers from the small industrial town of Novocherkassk go on strike. The massacre which then ensues is seen through the eyes of a devout party activist. Winner of the Special Jury Prize at the **Venice Film Festival**.

Olga is a beautiful Russian countess and member of the French Resistance; Jules is a French-Nazi collaborator who is assigned to investigate her case; and Helmut is a handsome, high-ranking, yet naïve German SS officer who once fell madly in love with Olga and meets her again when she is shipped to a concentration camp. While they recount their stories, PARADISE drifts between the bloody end of World War II and the gilded, halcyon days when their destinies first crossed. Victim, bystander, or monster - Konchalovsky collapses these identities, offering a new perspective on the Holocaust. Shot in stunning black and white, the film depicts the morally complex choices that one must make during the darkest of times. Winner of the Silver Lion for Best Director at the **Venice Film Festival.** *"Russian veteran Andrei Konchalovsky is in robust form in this richly monochrome, perspective-rotating Holocaust drama." - Guy Lodge, **Variety***