Cover image for
Title:
Heart and soul : the story of America and African Americans
Author(s):
Nelson, Kadir.
ISBN/ISSN:
0061730742

9780061730740

0061730769

9780061730764
Personal Author:
Edition:
First edition.
Physical Description:
108 pages : color illustrations ; 29 cm
Abstract:
An simple introduction to African-American history, from Revolutionary-era slavery up to the election of President Obama.
Reading Level:
1050 Lexile.
Program Information:
Accelerated Reader AR MG 6.6 2.0 147346.
Lexile Number:
1050 Lexile.
Pub Date:
Balzer + Bray, [2011]

©2011
Holds:

Available:*

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On Order

Summary

Summary

Kadir Nelson's Heart and Soul is the winner of numerous awards, including the 2012 Coretta Scott King Author Award and Illustrator Honor, and the recipient of five starred reviews.

The story of America and African Americans is a story of hope and inspiration and unwavering courage. This is the story of the men, women, and children who toiled in the hot sun picking cotton for their masters; it's about the America ripped in two by Jim Crow laws; it's about the brothers and sisters of all colors who rallied against those who would dare bar a child from an education. It's a story of discrimination and broken promises, determination, and triumphs.

Told through the unique point of view and intimate voice of a one-hundred-year-old African-American female narrator, this inspiring book demonstrates that in gaining their freedom and equal rights, African Americans helped our country achieve its promise of liberty and justice--the true heart and soul of our nation.

Supports the Common Core State Standards


Author Notes

Kadir Nelson began drawing at the age of three, and painting at age ten. He won an art scholarship to study at Pratt Institute in Brooklyn, New York. After graduating with honors, he began his professional career as an artist. He has worked with numerous companies including Dreamworks, where he served as the lead conceptual artist for Amistad and Spirit: Stallion of the Cimarron; Sports Illustrated; Coca-Cola; The United States Postal Service; and Major League Baseball. In 1999, he started collaborating with several notable authors on a series of picture books including Dancing in the Wings by Debbie Allen; Ellington Was Not a Street by Ntozake Shange; and Salt in His Shoes by Deloris and Roslyn Jordan. He won a Coretta Scott King Illustrator Award, a Caldecott Honor and an NAACP Image Award for illustrating Carol Boston Weatherford's Moses: When Harriet Tubman Led Her People to Freedom. He is the author and illustrator of We Are the Ship: The Story of Negro League Baseball.

(Bowker Author Biography)


Reviews 3

Booklist Review

*Starred Review* Nelson, the creator of We Are the Ship (2008), recipient of both a Coretta Scott King Author Award and a Robert F. Siebert Medal, adds to his notable titles with this powerful view of African American history. Illustrated with 44 full-page paintings, including both portraits and panoramic spreads, this handsome volume is told in the fictionalized, informal voice of an African American senior looking back on her life and remembering what her elders told her. The tone is intimate, even cozy, as the speaker addresses a contemporary honey chile and shares historical accounts that sometimes take a wry view of inequality: about a journey north, for example, she observes that Jim Crow has made the trip right along with us. Grim struggle is always present in her telling, though, and the passages include the horror of race riots, illustrated with a terrifying painting of a burning cross. With such a broad time frame, there is a lot to fit into a100 or so pages, but Nelson effectively captures the roles of ordinary people in landmark events ( We called ourselves the Freedom Riders ) while presenting famous leaders who changed the world, from Frederick Douglass and Rosa Parks to Langston Hughes, Louis Armstrong, Dr. Martin Luther King Jr., and, finally, President Barack Obama. A detailed time line and a bibliography of books and DVDs closes this powerful, accessible history which will find wide circulation in both schools and public libraries.--Rochman, Hazel Copyright 2010 Booklist


Publisher's Weekly Review

As in We Are the Ship, Nelson knits together the nation's proudest moments with its most shameful, taking on the whole of African-American history, from Revolutionary-era slavery up to the election of President Obama. He handles this vast subject with easy grace, aided by the voice of a grandmotherly figure who's an amalgam of voices from Nelson's own family. She does not gloss over the sadness and outrage of her family's history, but her patient, sometimes weary tone ("The law didn't do a thing to stop it," she says about the Ku Klux Klan. "Shoot, some of the men wearing the sheets were lawmen") makes listeners feel the quiet power that survival requires. In jaw-dropping portraits that radiate determination and strength, Nelson paints heroes like Frederick Douglass and Joe Louis, conferring equal dignity on the slaves, workers, soldiers, and students who made up the backbone of the African-American community. The images convey strength and integrity as he recounts their contributions, including "the most important idea ever introduced to America by an African American"-Dr. King's nonviolent protest. A tremendous achievement. Ages 9-up. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.


School Library Journal Review

Gr 5 Up-Expanding his focus from the close-up view of history applied in previous books, Nelson uses his formidable skills for the larger landscape: the black experience in America from slavery to the presidency. Like most surveys, the book is organized by struggles and wars; unlike traditional overviews, the facts are filtered through the eyes of a black woman with attitude to spare. This invented narrator, whose "Pap" was kidnapped as a child in Africa and whose brothers fought in World War II, does not suffer fools. Her colloquial commentary, addressed to "honey" or "chile," introduces and interprets the events. Occasionally her voice drops out, and a more textbooklike tone prevails, but mostly her presence provides the heart and soul of the story; readers will care about this information because they care about her. Nelson's oil portraits and tableaux consistently display technical virtuosity, drama, and dignity. From single-page compositions of historical personalities (Frederick Douglass, Joe Louis, Rosa Parks) and representative characters (a Revolutionary War soldier, students at Woolworth's) to full-spread, murallike scenes of a slave ship, a battle, a big band, Nelson varies the viewpoint and contrasts light and darkness to tell a riveting tale. The purpose is presented in the prologue and recast in the epilogue and author's note: "You have to know where you came from so you can move forward." Provocative and powerful, this book offers a much-needed perspective for individuals of all ages seeking to understand America's past and present.-Wendy Lukehart, Washington DC Public Library (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


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