A stagecoach driver (Hugo Weaving) goes to work for a dying, one-armed aristocrat (Rupert Everett) in 1860s Australia. The two men are soon involved in an intense, complex relationship with a spirited and beautiful young woman (Catherine McClements). A thoughtful drama with meditations on mortality, class, independence and love, it is an atypical journey into the nation's past. Directed and adapted for the screen by an all-female team (director DI DREW and screenwriter HELEN HODGMAN)-a rarity for the era-this lavish and ambitious Australian period drama was shot mostly on location in Bathurst, New South Wales.

Rupert Everett heads an acclaimed all-star cast in this wonderfully witty story of decadence, romance, and scandal. Sir Robert is a highly respected politician whose spotless reputation is the pride of his beautiful wife (Cate Blanchett ) and adoring sister (Minnie Driver). But when an old acquaintance (Julianne Moore) threatens to reveal a dark secret from Robert's past, only his womanizing party-loving best friend Goring (Everett) is scheming and dishonest enough to come to his aid.

The Nazi persecution of homosexuals may be the last untold story of the Third Reich. Directed by Oscar winners Rob Epstein and Jeffrey Friedman (COMMON THREADS: STORIES FROM THE QUILT and THE TIMES OF HARVEY MILK), PARAGRAPH 175 fills a crucial gap in the historical record, and reveals the lasting consequences of this hidden chapter of 20th century history. These are stories of survivors - sometimes bitter, but just as often filled with irony and humor; tortured by their memories, yet infused with a powerful will to endure. Their moving testimonies, rendered with evocative images of their lives and times, tell a haunting, compelling story of human resistance. Intimate in its portrayals, sweeping in its implications, PARAGRAPH 175 raises provocative questions about memory, history and identity.

In this powerful historical drama about the intersection of faith and reason, a Spanish archaeologist Marcelino (Antonio Banderas) and his daughter Maria (Allegra Allen) discover seemingly impossible paintings of galloping bison adorning the walls of a hidden cave. The discovery brings the world together in amazement, drawing people of all types to see the paintings in person. But, Marcelino soon realizes that the art on the walls must be 10,000 years old, earlier than anyone believes possible. The theory threatens to tear Maria and Marcelino's family apart while the outside world's astonishment soon turns to fury and fear. Only their love for each other can guide them toward redemption as Marcelino fights to spread the truth. Official Selection at the **Tribeca Film Festival** and the **Austin Film Festival**. *"Director Hugh Hudson maintains a steady hand throughout in this low-key but powerful rumination on faith and reason." - Bruce Demara, **Toronto Star*** *"Hugh Hudson shoots in lush settings and provides ample footage of the incredible paintings; this could make a nice double feature alongside Werner Herzog's documentary 'Cave of Forgotten Dreams.'" - Chris Knight, **National Post***