Golden Lion (Best Film) winner at the 1984 Venice Film Festival, this quietly brilliant gem is set in Poland during the aftermath of WWII. A tragic love affair develops between an American sergeant (Scott Wilson) and a freightened Polish widow (Maja Komorowska).

A rich historical romance starring John Barrymore as poet Frances Villon who battles against nasty King Louis the XI in 17th Century France.

An epic romance set in Russia during the final days of the Tsarist autocracy, Barrymore stars as Sgt. Ivan Markov, a dedicated soldier who defies the rigid class system to receive an officer's commission. But even as he rises through the ranks of military and society, he must contend with resentment from the aristocratic officers-including the monocled Ullrich Haupt, who delivers a sinister performance worthy of Erich von Stroheim, himself an uncredited screenwriter on the project. Piano score by William P. Perry.

An upbeat comedy about looking for love, thinking of romance, and finding yourself. Amelia is a 30-year-old looking for her first boyfriend and--even with the help of her eccentric boss, her overbearing parents, and her best friend--her luck seems to be running out. With her nose buried in a book, she finds romance in a stranger who has left notes in the margins and soon finds herself entranced. Charming, funny, and unique, BREAD AND BUTTER bills itself as the "anti-romantic comedy" as we watch Amelia juggle the attentions of both Leonard, the stranger from her book, and Daniel (Bobby Moynihan of SNL) in a love triangle pitting both sides of Amelia's romantic notions against each other. Will she choose the brooding Leonard or the affable Daniel? Will she ever find someone to butter her bread?

Clara and Nikolaï meet at a rave. They return to Nikolaï's apartment and frantically make love. Afterwards, instead of parting, the two lovers divulge their deepest secrets to one another. Nicolaï is a beautiful loner, one with great ambition which he's unable to articulate to his peers. At thirty-one years old, he leads a simple and frugal life. He applies himself to reading the great classics of literature but never finishes a book he has begun. Unable to submit to any schedule, he finds himself unfit for work. He envisions big projects and has expansive ideas but, inevitably and despite himself, loses sight of them before they are realized. Clara, like Nikolaï, seems not to be made for this world. She leads a double life. By day, she works as a third grade teacher; by night, she is a compulsive party-girl, exorcizing or forgetting her vaunted hopes. She goes out every night, gets drunk and high, invites high-voltage sexual combinations, all the while desperately trying to fill an emotional void yet never succeeding. Though they are tempted to animas by all-too-common and divisive gender politics, politics they simultaneously fear and embrace, the friction between them is trumped by a common determination to bridge the gap that they realize afflicts the women and men of their lost, but far from hopeless, generation.

A forgotten classic, Crime of love is a story about two factory workers living in Northern Italy who form a romantic connection. The woman, torn between the freedoms of the North and her traditional Sicilian values, slowly allows herself to love, then marry, her co-worker. Soon after her wedding, she dies as a result of industrial pollution from her job. The film gives a good idea of the north-south mentality clash in Italy. The workers from the north and the south may have the same political ideas, but when they go home to their families they are worlds apart. They can't understand each other, even when in love like the Lombard Nullo and the Sicilian Carmela, but they are united by death caused by the ruthless disregard for safety measures of the industry managers and of those (the doctor) that should look after the lives of the workers and not simply appease the interests of the owners.

A strange and beguiling romance that launched the career of Leni Riefenstahl, The holy mountain is the greatest of Arnold Fanck's legendary "mountain films," in which dramatic intrigues are played out against the breathtaking backdrop of the German Alps. Enthralled by the scenic majesty and heaving power of nature, an alluring dancer (Riefenstahl) seeks the man of her dreams in a small mountain village. There she encounters a reclusive climber (Louis Trenker) and a young skier (Ernst Petersen), who are each pursuing their own elusive ideals amid the intoxicating beauty and treacherous dangers of the Alps.

Alice Guy-Blaché (French, 1873-1968), the world's first woman film director, made films for Gaumont in Paris (1896-1907), then had her own studio, the Solax Company in Fort Lee, New Jersey (1910-1914). After Solax ceased production, she became a director for hire and went to work for The International Film Service, owned by William Randolph Hearst. The plot of The Ocean Waif adheres closely to the Hearst agenda: a romantic story, plenty of pathos but no brutality, a likeable hero and an innocent young woman, and a suspenseful plot with a dramatic and happy ending ("the Mary Pickford school of narrative"). Blaché's parody of the Pygmalion-type love story gives equal screen time to each lover's point of view, but also skewers conventional class tropes. Doris Kenyon stars in the title role of an abused young woman who finds safety and eventually love in the arms of a famous novelist.

It's 2008 and the blood of xenophobia's stench is etched on the streets of Johannesburg. By day, Aben, an Indian South African, runs his restaurant in the viby, predominantly Muslim, Indian community of Fordsburg. But by night, Aben is haunted by a childhood memory in the soft, silent swathes of Durban's sugar cane fields. Tariq, an intense, Pakistani immigrant scrapes a living from his mobile cart, selling freshly ground sugar cane drinks opposite Aben's restaurant. Tariq's presence from across the road begins to infiltrate Aben's world. An undercurrent of unspoken, sexual confidence builds within the safety of distance between them.

Moscow 1955. Stalin has been dead two years, but not even Khrushchev's thaw can prevent Komsomol shock troops from hounding hipsters (stilyagi), fans of American jazz, culture and fashion. The student Mels, a Komsomol member, meets Polya, a hipster, while conducting a raid on a hipster hangout. Mels falls in love with Polya while his Communist comrade harbors romantic feelings for him. Mels ingratiates himself into Polya's group of hipsters who meet up on "Broadway" (Gorky/Tverskaya Street), and begins adopting their extreme fashion and lifestyle. Soon, Mels is a hit on the dance floor and starts learning to play the saxophone. He is expelled from college, changes his name to Mel and has the beautiful Polya for a girlfriend. Polya becomes pregnant and the couple's hipster lifestyle is threatened as members of their scene start abandoning their wild ways. With delightful retro-musical scenes and cinematography parodying the style of Soviet realism, Hipsters is a lush rebel-with-a-cause romance full of intricately choreographed toe-tapping numbers, and plenty of satirical social commentary.

Three-time Oscar nominee Christopher Nolan (Interstellar, Inception) directs this critically acclaimed mystery. Leonard (Guy Pearce) is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his wife's killer is compounded by the fact that he suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.