This program teaches highlighting the good parts and trouble spots, research, visualizing and dramatization, non-fiction vs. fiction, the echo effect, online reasearch vs. physical, changing directions, genre material, staying fresh and externalizing characters' thoughts. Subjects covered include:--What to include. --How to avoid the 200 page screenplay. --How faithful should you be to the original? --Is it easier to adapt fiction or non-fiction, trash or art? --Which books, plays and stories will make good movies. --How to rectify problems without alienating a book's fans?

In Richard III, director, producer, and star Laurence Olivier brings Shakespeare's masterpiece of Machiavellian villainy to ravishing cinematic life. Olivier is diabolically captivating as Richard, Duke of Gloucester, who, through a series of murderous machinations, steals the crown from his brother Edward. And he surrounds himself with a royal supporting cast, which includes Ralph Richardson, John Gielgud, and Claire Bloom. Filmed in VistaVision and Technicolor, Richard III is one of the most visually inspired of all big-screen Bard adaptations.

One hundred and fifty years ago, the Corporation was a relatively insignificant entity. Today, it is a vivid, dramatic and pervasive presence in all our lives. Like the Church, the Monarchy and the Communist Party in other times and places, the Corporation is today's dominant institution. But history humbles dominant institutions. All have been crushed, belittled or absorbed into some new order. The Corporation is unlikely to be the first to defy history. This complex, exhaustive and highly entertaining documentary features illuminating interviews with Noam Chomsky, Michael Moore, Howard Zinn and many others, THE CORPORATION charts the spectacular rise of an institution aimed at achieving specific economic goals as it also recounts victories against this apparently invincible force.