Rudolph Valentino stars as a matador who falls into the clutches of a beautiful, insincere society woman.

In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.

A sly, sophisticated love story that is a showcase for its two Oscar-winning stars: Michael Caine and Glenda Jackson. With a sparklingly witty screenplay from Academy Award-winner Tom Stoppard (Shakespeare in love), and directed by Joseph Losey, The romantic Englishwoman is a wildly entertaining ride.

Belgium-based trio Dominique Abel, Fiona Gordon and Bruno Romy follow their acclaimed Iceberg and Rumba with another Tati-inspired, candy-colored romp: this time, a charmingly off-kilter adventure about a hotel clerk who falls in love with a wish-granting fairy.

Story of a love affair (1950) is the legendary Michelangelo Antonioni's debut feature, a powerful statement on the delusions and violence sparked by a passionate love. This deeply tragic romance already exhibits the astonishing formal control and penetrating insights into the human condition that would later make him famous in films like Il Grido, L'Avventura and Blow-up.

A hearse driver meets and falls in love with a young, beautiful dancer who is planning an elaborate homegoing celebration for her mother. This love and comedy feature length film follows the suitor as he does everything to win her affection despite the steep oposition from his father-in-law to be who vows that his daughter will not marry a hearse driver.

Ingrid Bergman, in her most famous role of the period, plays Anita Hoffman, an aspiring classical pianist who falls in love with a famed, but married, concert violinist. Their passionate affair has deep and unanticipated consequences for them both.

Golden Lion (Best Film) winner at the 1984 Venice Film Festival, this quietly brilliant gem is set in Poland during the aftermath of WWII. A tragic love affair develops between an American sergeant (Scott Wilson) and a freightened Polish widow (Maja Komorowska).

A rich historical romance starring John Barrymore as poet Frances Villon who battles against nasty King Louis the XI in 17th Century France.

An epic romance set in Russia during the final days of the Tsarist autocracy, Barrymore stars as Sgt. Ivan Markov, a dedicated soldier who defies the rigid class system to receive an officer's commission. But even as he rises through the ranks of military and society, he must contend with resentment from the aristocratic officers-including the monocled Ullrich Haupt, who delivers a sinister performance worthy of Erich von Stroheim, himself an uncredited screenwriter on the project. Piano score by William P. Perry.

An upbeat comedy about looking for love, thinking of romance, and finding yourself. Amelia is a 30-year-old looking for her first boyfriend and--even with the help of her eccentric boss, her overbearing parents, and her best friend--her luck seems to be running out. With her nose buried in a book, she finds romance in a stranger who has left notes in the margins and soon finds herself entranced. Charming, funny, and unique, BREAD AND BUTTER bills itself as the "anti-romantic comedy" as we watch Amelia juggle the attentions of both Leonard, the stranger from her book, and Daniel (Bobby Moynihan of SNL) in a love triangle pitting both sides of Amelia's romantic notions against each other. Will she choose the brooding Leonard or the affable Daniel? Will she ever find someone to butter her bread?

Clara and Nikolaï meet at a rave. They return to Nikolaï's apartment and frantically make love. Afterwards, instead of parting, the two lovers divulge their deepest secrets to one another. Nicolaï is a beautiful loner, one with great ambition which he's unable to articulate to his peers. At thirty-one years old, he leads a simple and frugal life. He applies himself to reading the great classics of literature but never finishes a book he has begun. Unable to submit to any schedule, he finds himself unfit for work. He envisions big projects and has expansive ideas but, inevitably and despite himself, loses sight of them before they are realized. Clara, like Nikolaï, seems not to be made for this world. She leads a double life. By day, she works as a third grade teacher; by night, she is a compulsive party-girl, exorcizing or forgetting her vaunted hopes. She goes out every night, gets drunk and high, invites high-voltage sexual combinations, all the while desperately trying to fill an emotional void yet never succeeding. Though they are tempted to animas by all-too-common and divisive gender politics, politics they simultaneously fear and embrace, the friction between them is trumped by a common determination to bridge the gap that they realize afflicts the women and men of their lost, but far from hopeless, generation.