A long-distance love affair is prolonged through a series of postcards in Mark Rappaport's short film, one of the director's first experiments in video. The "deliciously ironic" (according to the Los Angeles Times) POSTCARDS tracks a romance played out entirely on assorted mailings written by a separated couple. American tourist spots on one side; heaving romance, misunderstandings, paranoia and sadly-fading passions on the other.. "Mark Rappaport's POSTCARDS, his first narrative video, charts the dissolution of a romance through crisscrossing postcards and surreal mental landscapes which combine the shifting exteriors of the two characters separate spaces. As in Rappaport's ironic chamber pieces on film, the tensions between kitsch and tragedy are perfectly poised, but video enriches his palette: the tape is only half an hour, but has the density of a feature."-Jonathan Rosenbaum, Sight & Sound

Ulla is a sensitive and principled 10th-grader in a small East German town. When Winfried falls in love with her, he adopts her passion for protecting the environment. One day, they discover that an illegal trout farm and weekend home are being built in the middle of a conservation area. Ulla tries to stop the project and gets her classmates involved. Winfried is in a difficult position because it is his father, the powerful director of a company, who is responsible. As they meet resistance from officials, the others gradually give up the fight to save the local nature reserve; but not Ulla, who is left to deal with the consequences. BIOLOGY! was one of the very few East German films that dealt with protecting the environment. This topic was taboo in the GDR, where all data on environmental demage was classified information. Nevertheless, grassroot activists-often under the umbrella of the church-represented a small but vigorous environmental movement.

Set in a mining town in the 1880s, THOUSAND PIECES OF GOLD is based on the classic novel by Ruthanne Lum McCunn with a screenplay by award-winning filmmaker Anne Makepeace (Tribal Justice). Upon its release in 1990, the film won immediate acclaim for its portrayal of the real-life story of Lalu (Rosalind Chao), a young Chinese woman whose desperately poor parents sell her into slavery. She is trafficked to a nefarious saloonkeeper in Idaho's gold country. Eventually Charlie (Chris Cooper), a man of different ilk, wins her in a poker game and slowly gains her trust. Way ahead of its time, the film resonates even more powerfully today in the era of #MeToo. Nancy Kelly became a victim of prejudice against women directors within the American film industry and was never offered another movie to direct in spite of extraordinary reviews from critics, some of whom compared her talent to that of John Ford.