Belgium-based trio Dominique Abel, Fiona Gordon and Bruno Romy follow their acclaimed Iceberg and Rumba with another Tati-inspired, candy-colored romp: this time, a charmingly off-kilter adventure about a hotel clerk who falls in love with a wish-granting fairy.

Filmed in Dominique Abel and Fiona Gordon's signature whimsical style, LOST IN PARIS stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond.

Clara and Nikolaï meet at a rave. They return to Nikolaï's apartment and frantically make love. Afterwards, instead of parting, the two lovers divulge their deepest secrets to one another. Nicolaï is a beautiful loner, one with great ambition which he's unable to articulate to his peers. At thirty-one years old, he leads a simple and frugal life. He applies himself to reading the great classics of literature but never finishes a book he has begun. Unable to submit to any schedule, he finds himself unfit for work. He envisions big projects and has expansive ideas but, inevitably and despite himself, loses sight of them before they are realized. Clara, like Nikolaï, seems not to be made for this world. She leads a double life. By day, she works as a third grade teacher; by night, she is a compulsive party-girl, exorcizing or forgetting her vaunted hopes. She goes out every night, gets drunk and high, invites high-voltage sexual combinations, all the while desperately trying to fill an emotional void yet never succeeding. Though they are tempted to animas by all-too-common and divisive gender politics, politics they simultaneously fear and embrace, the friction between them is trumped by a common determination to bridge the gap that they realize afflicts the women and men of their lost, but far from hopeless, generation.

Café de Flore" is a love story about people separated by time and place but connected in profound and mysterious ways. Atmospheric, fantastical, tragic and hopeful, the film chronicles the parallel fates of Jacqueline, a young mother with a disabled son in 1960s Paris, and Antoine, a recently divorced, successful DJ in present day Montreal. What binds the two stories together is love - euphoric, obsessive, tragic, youthful, timeless love. In 1960s Paris, a working class woman gives birth to her first child, Laurent, a Down Syndrome son. Undaunted she embraces the challenge of raising her beloved offspring as normally as one would any other child. Her husband abandons them both. She bravely brushes this additional hiccup aside as Laurent replaces her spouse as the perfect man of her dreams. As Laurent approaches school age Jacqueline's aplomb becomes obsessive and cloying. Her increasingly self-destructive attachment to her son is raised to a fever pitch when, at the age of seven, he meets a Down Syndrome girl (Véronique) and experiences his first crush. His sudden desire for independence, and his attraction to Véra, are the catalysts that transform Jacqueline from a loving mother into something resembling a lover scorned. What emerges is a love triangle of potentially tragic proportions. In 21st century Montreal, a forty year old divorcee, Carole, is trying to restart her life after her divorce, two years earlier, from Antoine, a devastatingly handsome, successful touring DJ. Soul mates who've been a couple since the age of fifteen, their divorce is a schism that might prove impossible for either of them to put in the past. Making the transition even more difficult for Carole is the fact that her two daughters, one teen, one tween, are about to gain a stepmother, a stunningly beautiful, heartbreaking blonde, a woman about to "steal" away the perfect man of her dreams. The young girls are being cruelly pulled in two different directions, Antoine's father, a recovering alcoholic, seems to side with his ex-daughter-in-law, and Carole is succumbing to fits of depression and potentially dangerous bouts of sleepwalking. What emerges is a love triangle of potentially tragic proportions.

Kino is now proud to present Lady Chatterley in a new, two-part, extended european edition featuring nearly an hour of additional material excluded from the film's theatrical cut that explores the emotional and sensual borderlands uniting sex, love, and loyalty with even more intelligence, passion, and power than before. Through extra footage never seen in the US, director Pascale Ferran's "rapturous visual tone poem" (New York Times) becomes both a highly erotic immersion into Lady Chatterley and Parkin's passion and an equally frank and unsentimentally provocative portrayal of a marriage hobbled by war and ultimately torn apart by hypocrisy.

An elegant, moving tale of an unexpected romance between a married man (Vincent Lindon) and his son's homeroom teacher (Sandrine Kiberlain, Lindon's former wife), and their attempt to keep their desires from turning into a full-blown affair. A modern-day Brief Encounter, crafted with enormous grace and subtlety by acclaimed French director Stéphane Brizé (I am not here to be loved, Among adults).

An intoxicating blend of wartime romance and brightly colored musical, the film depicts an original world "where Bresson meets the Beatles" (Variety).