Serving countless newlyweds in Hong Kong's go-to one-stop-shop of cheap wedding supplies doesn't exempt Fong from social pressure to marry. Since nodding to Edward's proposal, she has been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws. What befuddles her further is the reappearance of Shuwei, a mainlander she's supposed to be divorced from out of a sham marriage that solved her coming-of-age hardship. Zeroing in on nuts and bolts of modern marriage, MY PRINCE EDWARD pokes around fixated correlations of freedom with relationship status and geographic residence. Like a breath of fresh air out of the breathless space it navigates, the whimsical gem contributes a rare humane take on the worldly metropolis's divisions with humor and wisdom. As Fong redefines her best life and writer-director Norris Wong reclaims her home city's narrative from outsiders in this debut, their courage sparks thrills and will make you wholeheartedly cheer for a woman's independence and a new age in Hong Kong cinema.

Alcopops, VHS tapes, cigarettes, boys, MSN Messenger, Placebo. Set on the Isle of Wight in 2003, fragments of the director's own teenage video diaries collide with the fictional story of 15-year-old Tommy in this short film about a boy's search for connection in the advent of the internet age. Infatuated with his best friend's boyfriend and unable to truly reveal himself to anyone, Tommy feels an overwhelming sense of isolation on the small chalk island he calls home. Desperate to be seen, he logs on to the family computer, clicks connect and opens MSN...

A runaway foster child will stop at nothing to live with her homeless, mentally-ill veteran father who lives on the streets of LA's skid row.