In Richard III, director, producer, and star Laurence Olivier brings Shakespeare's masterpiece of Machiavellian villainy to ravishing cinematic life. Olivier is diabolically captivating as Richard, Duke of Gloucester, who, through a series of murderous machinations, steals the crown from his brother Edward. And he surrounds himself with a royal supporting cast, which includes Ralph Richardson, John Gielgud, and Claire Bloom. Filmed in VistaVision and Technicolor, Richard III is one of the most visually inspired of all big-screen Bard adaptations.

One hundred and fifty years ago, the Corporation was a relatively insignificant entity. Today, it is a vivid, dramatic and pervasive presence in all our lives. Like the Church, the Monarchy and the Communist Party in other times and places, the Corporation is today's dominant institution. But history humbles dominant institutions. All have been crushed, belittled or absorbed into some new order. The Corporation is unlikely to be the first to defy history. This complex, exhaustive and highly entertaining documentary features illuminating interviews with Noam Chomsky, Michael Moore, Howard Zinn and many others, THE CORPORATION charts the spectacular rise of an institution aimed at achieving specific economic goals as it also recounts victories against this apparently invincible force.

Camille (Audrey Tautou. Amelie, The Da Vinci Code) works evenings as an office cleaning woman and makes graceful drawings in her free time while living in the attic of a Parisian apartment block. Philibert (Laurent Stocker) is a young, aristocratic history buff living - temporarily - in an apartment lower down, part of the estate of his late grandmother. He has let out part of it to up-and-coming cook, Franck (Guillaume Canet), a gruff young loner and womaniser with a genuine love for his frail grandmother, Paulette (Francoise Bertin). When Camille falls ill, Philibert insists she stay with the two of them so he can look after her. And even though she and Franck clash, the trio manage to live together and learn from each other.

This production is part of a famous series produced by BBC of all of William Shakespeare's plays. The resulting films, renowned for their loyalty to the text, utilized the best theatrical and television directors and brought highly praised performances from leading contemporary actors. The trickiest sort of play -- a comedy with tragic relief. With her brother condemned to die for the crime of premarital sex, Isabella is torn between her vows to God and desire to save him.

Three-time Oscar nominee Christopher Nolan (Interstellar, Inception) directs this critically acclaimed mystery. Leonard (Guy Pearce) is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his wife's killer is compounded by the fact that he suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

This star-studded drama follows the story of Adam Stein (Jeff Goldblum, Jurassic Park, The Grand Budapest Hotel), a charismatic patient at a mental institution for Holocaust survivors in Israel, in 1961. He reads minds and confounds his doctors, lead by Dr. Nathan Gross (Derek Jacobi, The King's Speech, Gladiator). Before the war, in Berlin, Adam was an entertainer--cabaret impresario, circus owner, magician, musician--loved by audiences and Nazis alike until he finds himself in a concentration camp, confronted by Commandant Klein (Willem Dafoe, Plantoon, Spiderman). Adam survives the camp by becoming the Commandant's "dog," entertaining him while his wife and daughter are sent off to die. Years later we find him at the Institute. One day, Adam smells something, hears a sound. "Who brought a dog in here?" he asks Gross. Gross denies there is a dog but Adam finds him--a young boy raised in a basement on a chain. Adam and the boy see and recognize each other as dogs--and their journey begins.

In this sumptuous thriller by legendary filmmaker Douglas Sirk and featuring a bevy of classic stars of the silver screen, a serial killer is on the loose in London, luring young women into his web through ads placed in the personal column. Scotland Yard's bait to ensnare the villain is a young American dance hall girl (played by a stunning Lucille Ball), who encounters a series of likely suspects, including the always dashing George Sanders as a sophisticated playboy and an unforgettable Boris Karloff as a mad fashion designer.

This production is part of a famous series produced by BBC of all of William Shakespeare's plays. The resulting films, renowned for their loyalty to the text, utilized the best theatrical and television directors and brought highly praised performances from leading contemporary actors. Jealousy in love is one of the most common of human emotions. In OTHELLO, Shakespeare combines this universal theme with perfectly structured scenes, a storyline that lingers in the memory and a prime example of a tragic hero, Othello himself. The result is perhaps his greatest triumph as a stage play. When the evil Iago plants the seeds of doubt in Othello's mind about Desdemona's fidelity, audiences around the world have been held spellbound.

This production is part of a famous series produced by BBC of all of William Shakespeare's plays. The resulting films, renowned for their loyalty to the text, utilized the best theatrical and television directors and brought highly praised performances from leading contemporary actors. THE TEMPEST is a dramatic romance, weaving fancy and realism into a plot that speaks to audiences today. This timeless stage is set on an enchanted island, where an exiled Duke and two young lovers encounter the occult, finding good and evil in their own natures.

Based on the novel by Daphne Du Maurier, a young woman discovers her uncle heads a gang of ship-wreckers and murderers under the secret patronage of the local squire. Her efforts to stop their wicked ways leads her down a path filled with murder and betrayal.. JAMAICA INN was the first of Hitchcock's adaptations of Daphne Du Maurier's novels including REBECCA and THE BIRDS. It was also Hitchcock's last film made in the UK before coming to America..

The brilliant work, personal struggles, and cultural impact of iconic American writers Truman Capote and Tennessee Williams explodes onto the screen in this innovative dual-portrait documentary. Filmmaker Lisa Immordino Vreeland masterfully collages a wealth of archival material, including dishy talk show appearances with Dick Cavett and David Frost, with clips from some of the duo's most memorable movie adaptations: A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, Breakfast at Tiffany's, and In Cold Blood. Featuring vibrant voiceover work by award-winning actors Jim Parsons (Capote) and Zachary Quinto (Williams), the film is dripping with wit and wisdom. It is a celebration of both men's fearless candor and often tumultuous friendship that honors how their identity as gay Southerners informed their timeless artistic achievements and relationships with family, colleagues, confidants, and - most significantly - each other.

Director Franco Zeffirelli's 1968 version of Shakespeare's ROMEO AND JULIET, an iconic box-office record shattering adaptation, stars seventeen-year-old Leonard Whiting as Romeo and fifteen-year-old Olivia Hussey as Juliet. The raw talent of these leads capture the youth and innocence of the legendary characters like never before in what has gone down in history as one of the most profitable film adaptations of Shakespeare ever produced. Winner of Best Costume Design and Best Cinematography and nominated for Best Picture and Best Director at the **Academy Awards**. Winner of Best English-Language Foreign Film, Most Promising Newcomer - Female (Olivia Hussey), Most Promising Newcomer - Male (Leonard Whiting), and nominated for Best Director and Best Original Score at the **Golden Globes**. *"Franco Zeffirelli's ROMEO AND JULIET is a lovely, sensitive, friendly popularization of the play..." - Renata Adler, **New York Times***