I see a new world. Do you see it? If you listened to the city back in 1984, here's what it told you: there are dark days coming, and the only way to survive them is by being rich. Made during the re-election year of Ronald Reagan, the election year of Prime Minister Brian Mulroney and the very beginnings of the shattering saving and loan scandal that would come to look like candy store shoplifting a generation on, Ron Mann's rare early non-documentary movie is like a downtown artist's poster collage of DIY urgency: from the opening sequence, in which the poet/punk Jim Carroll rises like Lazarus from his hospital bed and takes to the streets with a vertical IV drip and a message about better days, to the ensuing satirical depiction of a corporation coldly deciding to cut the unprofitable heart out of the city it calls home, the movie plays as fearless, street-art inspired pastiche: part experimental polemic, part political cartoon, part video art installation, part performance prank. Just as Jim Carroll passes through its ominous depiction of a ruined Toronto, so does bp nichol, P.J. Soles, the late Jack Layton, Barry Callaghan, the Spoons' Sandy Horne and fellow activist-documentarist Peter Wintonick. All kinds of people urging us to listen. And all these years later and it's still pissed off. Just as it should be.

Tell No One is based on Harlan Coben's international best selling thriller about pediatrician Alexandre Beck who still grieves the murder of his beloved wife Margot Beck eight years earlier. When two bodies are found near the scene of the crime, the police reopen the case and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest Margot is somehow still alive and a message to Tell No One.

Jill is obsessed with her new roommate Jennifer, a promiscuous and sexy hotshot in the LA Fashion scene. Her jealousy and rage spiral out of control -- Jennifer has everything, and Jill wants to be just like her. If Jill can't BE Jennifer, she must destroy her..

A husband and wife struggle with their consciences after they try to conceal a terrible crime committed by their teenage daughter, in this riveting suspense drama from German director Sebastian Ko.. We would do anything to protect our children - it's one of our most deeply ingrained instincts. But what if your child did something unspeakable? German director Sebastian Ko poses this question with a thriller that's riveting in its suspense and unnerving in its subject matter.. Paul (Mehdi Nebbou) and Christine (Ulrike C. Tscharre) know their daughter Sarah (Janina Fautz) going through a difficult phase. Fourteen years old, and angry with her parents for separating, she's been playing one against the other and making things unpleasant for their respective new partners. But in the opening scenes of We Monsters, Sarah confesses to an act far beyond the realm of teenage rebellion, something so awful that her father's first impulse is to turn her in.. Paul makes it as far as the parking lot of the local police station - but can't quite bring himself to go in. He shares the horrifying news with Christine and together they decide to keep Sarah's crime a secret. But when a classmate's father starts coming around looking for clues, things get complicated. And violence has a way of begetting more violence.. Tautly paced and psychologically acute, We Monsters is also eerily relatable. Ko photographs key scenes through mirrors, frosted windows, and broken glass, obstructing our view in a manner that slyly echoes Paul and Christine's perspective, obscured as it is by parental devotion and panic. Their story seems almost fantastic, but We Monsters will have every parent wondering: What would you do?.

Needing an escape from the city, a group of old friends decide to head to the desert for a spontaneous weekend away at Sam's family's vacation home. But what begins as a normal evening quickly morphs into a night of social and sexual liberation when Caleb, the one newcomer of the group, convinces everyone to abandon society's rules and test the limits of sexuality, friendship, and freedom.

Twenty-something New Yorker Barb Schwartz somehow ended up in a life that kinda... sucks. When she is reunited with her childhood BFF, ballet dancer Billy, she is inspired to turn her life around by revisiting her first love: comedy.

A young man breaks out of rehab to follow a mysterious bad girl into an easy drug score. But when she lures him to an isolated cabin with her psychotic boyfriend, their simple love triangle quickly descends into a mind-blowing supernatural cycle of carnage and mayhem with no end...and no escape..

Marty is a caustic, small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo Power Glove, and a bad temper. Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class...Festivals:.AFI Fest.Chicago International Film Festival.SXSW Film Festival

A Texas tech start-up breaks every crowdfunding record in the books, but they lose it all when a patent troll shuts them down. Refusing to go down without a fight, our heroes use a legal loophole to beat the trolls at their own game. By obtaining a patent for BEING a patent troll, they're able to... troll the trolls.

For a fifth consecutive December, a heartbroken Noel returns to New York City to work the night shift at a sidewalk Christmas tree lot. Devoid of any holiday spirit, he struggles to stay awake during the long, chilly nights in his trailer, while the daytime traffic keeps him from getting any real rest. As he slowly spirals into despair, he comes to the aid of a mysterious young woman in the park. Her warming presence, matched with some colorful customers, help rescue him from self-destruction.