Framed in flashback, the film explores the personal reasons that a semi-literate farmer is the lone jury holdout in the guilty verdict for a young killer on trial. We learn in a gradually unfolding fashion that the boy is the son of a woman with whom the farmer had had an intense personal involvement some twenty years earlier. However, their relationship was damaged by the woman's family, who come looking to bring her back home..

Nora Helmer (Jane Fonda) lives a quiet life with her husband, Torvald (David Warner), in a small Norwegian town. While he works diligently at a bank, she looks after their children. But Torvald doesn't know that several years ago, when he was very ill and she was desperate for money, Nora forged a loan document and has been secretly working to pay the money back ever since. The arrival of her friend Kristine (Delphine Seyrig) prompts Nora to re-evaluate her life and confront Torvald.. Based on the play by Henrik Ibsen..

Jack Lemmon plays Harry Stoner, a man caught in violent collision with his past and present life. He believes there is nothing significant in his life except survival, and that instinct pushes him beyond moral conduct. Winner of Best Actor in a Leading Role (Jack Lemmon) and nominated for Best Actor in a Supporting Role (Jack Gilford) and Best Adapted Screenplay at the **Academy Awards**. Nominated for Best Motion Picture - Drama, Best Supporting Actor - Motion Picture (Jack Gilford), and Best Actor in a Motion Picture - Drama (Jack Lemmon) at the **Golden Globes**.

Robert De Niro and Michael Moriarty star in this superbly crafted film about the unlikely friendship between two baseball players. Moriarty plays the team's ace pitcher and social charmer; De Niro is the catcher, a farm boy from Georgia who lacks all of Moriarty's sophistication. He is also dying. During their last season together on a team fraught with bickering and infighting, the two men grow into manhood and respect for themselves and each other. BANG THE DRUM SLOWLY is moving without being sentimental and is filled with tenderness, humor, honesty and brilliant acting. Nominated for Best Actor in a Supporting Role (Vincent Gardenia) at the **Academy Awards**. Voted one of the Top Ten Films of 1973 by the **National Board of Review, USA**. *"By the end, you've taken a fastball in the gut without even knowing how it got there." - Michael Booth, **Denver Post***

Killing car is one of Jean Rollin's most unusual films and is a real departure from the vampire theme for which he is best known, though it still maintains Rollin's signature mix of mysterious femmes fatales and female flesh.

A professor returns home after a long absence to introduce his wife to his father and two brothers, but the family reunion has unexpected and disturbing consequences. Based on one of Harold Pinter's greatest plays.

The film version of Eugene Ionesco's absurdist play tells of a French city where the citizens begin to turn mysteriously into rhinoceroses. Zero Mostel creates his Tony-winning Broadway role. Includes the marvelous Karen Black.

Can Dialectics Break Bricks is a hilarious spoof of politics, class warfare and consumption that still holds up in today's advanced capitalistic world. Taking an obscure karate film and redubbing the entire movie, a group of Situationists have created the perfect dada film, one rife with political sharpness and theoretical humor that is also a harsh critique of 20th Century work and life.

U.S. agent Nick Allen (Billy Dee Williams) has his own idea about how to fight a war on drugs: go to the source...and cut the big-time traffickers down. Embittered over the drug-related death of his teenage daughter, Nick sets out to do just that. With stone-cold intensity, he locates and trains a dirty half-dozen recruits for a commando raid on the kingpins of a French drug syndicate. Each recruit has his or her own reason for being part of the death squad. And each has a lethal, take-no-prisoners specialty. Richard Pryor costars as one of the daring team members, and underwater warfare expert armed with a deadly air and a killer wit.

Requiem for a vampire (Requiem pour un vampire) was Jean Rollin's favorite of all his films. Because he dredged the scenario from his subconscious, and because it was rushed into its written form so quickly (Rollin claimed that he wrote the entire script in only two days), he felt it was his purest work. True to Rollin's roots in serials and the Bizarre, the film opens with an action scene already in progress: two women in full clown makeup (Marie-Pierre Castel, Mirielle d'Argent), firing guns at a retaliating car behind them, as a handsome associate mans the steering wheel. This being a Rollin film, we quickly dispense with the man and get on with the general absence of story and the vital accumulation of fetish. Eluding their pursuers, our two clowns continue their never-explained flight on foot, journeying to a cemetery, then a chateau inhabited by "the last of the vampires."

Set in rural Louisiana during the Depression, this heartfelt story tells of a sharecropper family struggling to overcome adversity. After stealing to feed his family, Nathan is sent to a prison camp. In their fight for survival, his determined wife and their eldest son hold the family together. Once the boy becomes an adult, he searches for his father but instead discovers manhood.

"An evening of non-stop laughter." -London Sunday Express.This hilarious farce, which set box office records in London and Paris before coming to Broadway with the inimitable Norman Wisdom as featured player, makes enormous good fun of attempted infidelity and the tangle of misunderstandings which this can-and does-lead to. "What does a sophisticated audience do about this assault on its culture? It rolls in the aisles...the folks just let go, sometimes beating the cast to the boff." -Variety.