Anton Chekhov's classic play about the lives of three sisters living in a remote Russian village is given the all-star treatment by director and star Laurence Olivier.

A film entitled '1970'

From the novel by E. Nesbit; a delightful story of three children who live in an old cottage near the railway line. Every day they watch the trains go by and become great friends with Perks, the porter and an old gentleman who travels on the "Green Dragon". Their involvement with the railway leads to many great adventures and dangers.

From the darkly erotic imagination of Alain Robbe-Grillet (Trans-Europe-Express) comes EDEN AND AFTER, a dreamlike fable in which a group of decadent French students are drawn into the psychological and sexual games of a mysterious Dutchman (Pierre Zimmer). Once they imbibe his "fear powder," the students experience a series of hallucinatory episodes: reminations on death, explorations of sexual curiosity, and striking tableaux of sadomasochistic fantasy...Official Selection Berlinale

An astute mix of classic Italian crime and giallo, Duccio Tessari's Death Occurred Last Night is a dark slow burning murder mystery. A mentally handicapped woman is kidnapped and sold into sexual slavery, sending her distressed father and a jaded police detective on the hunt for clues in Milan's underworld. Tessari (The Bloodstained Butterfly) keeps a tight rein on the action, focusing on the characters and their collective desire for justice and revenge. An unforgettable, disturbing and fascinating thriller.

In Mussolini's Italy, repressed Jean-Louis Trintignant, trying to purge memories of a youthful, homosexual episode--and murder--joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium; and wife Stefania Sandrelli and lover Dominique Sanda dancing the tango in a working class hall. ..But those are only a few of this political thriller's anthology pieces, others including Trintignant's honeymoon coupling with Sandrelli in a train compartment as the sun sets outside their window; a bimbo lolling on the desk of a fascist functionary, glimpsed in the recesses of his cavernous office; a murder victim's hands leaving bloody streaks on a limousine parked in a wintry forest. Bernardo Bertolucci's masterpiece, adapted from the Alberto Moravia novel, boasts an authentic Art Deco look created by production designer Ferdinando Scarfiotti, a score by the great Georges Delerue (Contempt, Jules and Jim, and That Man From Rio) and breathtaking color cinematography by Vittorio Storaro.

Seven years after innovating the grisly Italian genre known as giallo, Mario Bava returned to the form to create one of its deliriously frightening examples: Hatchet for the Honeymoon (Il rosso segno della follia)...Stephen Forsyth stars as John Harrington, the head of an affluent fashion house, who harbors an uncontrollable bloodlust for women in bridal veils. Only by murdering a succession of them, each in a grisly manner, can he delve deeper into his subconscious and bring to light the primal scene that spawned his very specific homicidal fetish...With its director doubling as cinematographer, Hatchet is one of Bava's most visually sumptuous films. This Redemption edition has been newly mastered in HD from the 35mm negative, and is accompanied by an audio commentary by Video Watchdog founder Tim Lucas, commissioned especially for this release.

A group of inhabitants of a correctional colony for people of small stature raises a riot against the local order. Tired of adhering to the many rules that require good behavior from them, they decide to become bad. Their immediate leader (also a dwarf) is forced to take refuge in one of the premises while waiting for the police to arrive. Meanwhile, the rioters are having fun: they beat dishes and glasses, start a car and eventually break it, kill a big pig, scoff at blind dwarfs living next door, arrange cockfights, set fire to flowerpots with their favorite colors, and so on.

The touching story of two older people (Bette Davis and Michael Redgrave) whose lives are linked when they become lodgers in the same seedy boarding house in London. Both are down on their luck. James has been wrongfully dismissed from his post at a British public school. Good-hearted Wanda is a cello player driven to busk on the streets. They find sympathy and understanding as they share their misfortunes. "*...a compelling and often heartbreaking drama.*" - Phil Hall, ***Film Threat***

Jonas (Robert Walker, Beware! The Blob), a young drifter, stops at a desolate roadside service station where Mara (Rita Hayworth, Separate Tables), the owner, identifies him as her son Rocky, who disappeared four years ago. Jonas is overwhelmed by the awkward situation, but tired and hungry, accepts Mara's offer of room and board. Initially, he believes that Mara is simply delusional, but when Mara's old friend and neighbor Warren (Ed Begley, Billion Dollar Brain) arrives for a visit, surprisingly, he also acts as if Jonas were Rocky. Even when the attractive and carefree Billie (Mimsy Farmer, The Perfume of the Lady in Black), his alleged sister, comes home, she appears to recognize him as her brother and soon takes him under her wing. As an erotic relationship develops between them, Jonas soon discovers that Billie may have killed her own brother and Mara could very well be covering up the crime. Explosive events bring him to the edge of madness as he confronts the consequences of his "free ride." ROAD TO SALINA is a tense, gripping tale of forbidden love written and directed by Georges Lautner (Le Professionnel, Monsieur Gangster).

A brother and sister living in an isolated farmhouse in Yorkshire accidentally run down and kill a cyclist. The body is taken to their house, where the woman slowly comes to imagine that he is their dead elder brother.

Since the 1940's, classroom films have aimed at tutoring young adolescents on subjects such as sexual development, the importance of fitting in, and juvenile delinquency, all in tidy, ten-minute sermons disguised as dramas. This collection illustrates social norms from post-WWII America.