Peter Churchman and his crew spend a long time robbing German banks to get enough money to restore a French cathedral they bombed inadvertently during WW II. Churchman then moves to a Spanish village where he leads a peaceful life, until a former accomplice pays a visit to persuade him to return to his bank-robbing skills, under threat of blackmail. Churchman sets about robbing a bank during Pamplona's famed Festival of San Fermin.

Shirley Maclaine (*The Apartment, Terms Of Endearment*) portrays an amazing array of characters over seven satirical vignettes that attempt to tackle the universal subjects of love and adultery. From a distraught widow dealing with amorous advances, a bored housewife becoming a hooker, suicidal lovers, naked poetry reading and psychotic socialites to a chance encounter on public transport that leads to a bittersweet, poignant conclusion. Michael Caine, Peter Sellers and Alan Arkin are featured in supporting roles. Nominated for Best Actress at the **Golden Globe Awards**.

Starring a seventeen-year-old beauty-contest winner, DEADLY SWEET is a most unusual crime story. In the film, a French actor finds his business contact lying murdered on the floor. Rather than call the police, he decides to protect the young woman at the scene and nail down the true killers, putting him on a collision course with the London underworld. DEADLY SWEET leads us through a mind-bending series of pop-art visuals by renowned erotic cartoonist Guido Crepax with split screens (and triple split screens) and the seductive rock score by Armando Trovajoli. Filmmaker Tinto Brass (who later gained fame for his soft-core erotic), wrote the screenplay in 1967, loosely adapted from a novel by Sergio Donati, as an outrageous attempt to turn the crime genre on its head. It can be said that with this film, Cinema Fumetti (comic-book movies) was invented prior to the more known DANGER: DIABOLIK and BARBARELLA.

Italian neorealism meets the coal-mining country of southeast Ohio in this little-seen wonder of 1960s, American independent cinema. Director J.L. Anderson, a film professor at the University of Ohio, utilized non-professional actors, on-location photography, a shoestring budget, and a passionate knowledge of international film to create what Richard Brody of The New Yorker calls a "tense, myth-drenched drama of liberation and retribution." Carl (Ted Heimerdinger) and Jessie (Larue Hall) are half siblings who feel trapped by the existential and economic pressures of living in the small mining town of Canaan, Ohio. Their shared rebellion soon takes on the form of an illicit love affair depicted in interwoven sequences of lusty poeticism and ethnographic vérité. When Jessie becomes pregnant, the tension between the couple's youthful vitality and the dire realities of rural society leads to consequences both despairing and hopeful. Bumped from its premiere slot at the 1968 New York Film Festival to make room for John Cassavetes' Faces, the fate of SPRING NIGHT SUMMER NIGHT was nearly sealed when its original distributor insisted that it be recut as an exploitation film under the title Miss Jessica Is Pregnant. Fortunately, thanks to the brilliant restoration efforts of Peter Conheim and Ross Lipman - along with the generous support of director Nicolas Winding Refn's byNWR - the film was scanned in 4K resolution from the 35mm camera negative, and carefully reconstructed according to J.L. Anderson's original vision.

This comedic musical tells the story of Gabi, a young hairdresser from the Baltic coast who desperately wants to be a jockey. One day, she packs her bags, drives to Hoppegarten, and is soundly rejected by the head coach. Gabi doesn't want to give up, and in order to at least have a roof over her head, she rushes into a marriage with the seemingly nice Freddie. However, this marriage soon proves to be her second rejection, as Freddie openly dislikes the fact that she wants to be a jockey. The first ray of hope comes when a kind-hearted stableman lets Gabi train in secret. Will she be able to find love while still remaining true to her dreams?

Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Leaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire..

The complex relationships among an Oxford professor, one of his students, and the young woman who captivates both of them is the subject of this difficult but rewarding drama. Director Joseph Losey and writer Harold Pinter had previously collaborated on 1963's The Servant, and they surrounded this recasting of a Nicholas Mosley novel with a similar atmosphere of ominous mystery. The story is presented through flashbacks and disconnected memories that trace the characters' interactions. Nominated for Best English-Language Foreign Film at the **Golden Globes** and Best British Film at the **BAFTA Awards.** WInner of the Jury Grand Prize and Nominated for the Palme d'Or at the **Cannes Film Festival.** *"Bring a date, because you'll need to talk this one through." - Joshua Rothkopf, **Time Out***

Directed by Oscar nominee and film legend George Lucas (*American Graffiti, Star Wars*) ELECTRONIC LABYRINTH shows us a world that is run by electronics and people are categorized by number and assigned mates for life. One man, numbered THX 1138 4EB, decides he must try to escape. Selected for the National Film Registry by the **National Film Preservation Board**.

At the height of the Mexican revolution, a mysterious young American joins a gang of marauders led by El Chucho on a series of savage raids to steal guns for a powerful rebel general. But when the Gringo brings his own cold-blooded ideals to the bandits, El Chucho discovers that the real weapons of war belong to no army. In a land ravaged by violence, can true freedom be bought with a bullet.

After the Civil War, a Unionist convoy transporting a million Dollars is attacked by a colonel of the Confederate Army - Jonas - and his three sons. Jonas' ambition is to return to the Southern States to reform his regiment and to restart the war against the North. They hide the money in a coffin and with the help of a young woman playing the part of a tearful widow, they try to reach the family ranch. But their perilous journey is beset with rivalries, treason and battles.

After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.