Two adolescents make a connection with each other in a home for disturbed youngsters. David Clemens was placed in the home by his mother because of his constant fear of being touched; while Lisa is a 15-year-old schizophrenic who speaks only in rhyme, when she speaks at all. David rejects the help of psychiatrist Alan Swinford but makes an emotional connection with Lisa.. Because of his contact with Lisa, David eventually opens up to Swinford and his mother. But his mother is dissatisfied with his progress and takes him back home. Home life, however, consists of his mother's domineering ways and parental quarrels, so David runs away and returns to the home for disturbed youngsters. But then an argument with Lisa leads to a climactic confrontation..

A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.

The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of GIRLS! GIRLS! GIRLS! This Time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance - a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short.

Love arrives with a splash when a handsome and eligible tycoon (Cary Grant) and a beautiful working woman (Doris Day) meet over a curbside mud puddle. He's enchanted by her small town ways; she's captivated by his romantic, debonair manner. But when it comes to marriage, they have decidedly different views - she wants it and he doesn't! What ensues is a game of cat-and-mouse as each tries to win the other - with hilarious and heartwarming results. Nominated for Best Original Screenplay and Best Art Direction at the **Academy Awards**. Winner of Best Motion Picture - Comedy or Musical and nominated for Best Actor - Comedy or Musical (Cary Grant) at the **Golden Globes**.

An Oscar-nominee for Best Animated Short, MY FINANCIAL CAREER is based on Stephen Leacock's witty account of a young man's first brush with banking. When he tries to make his deposit, he is so intimidated by the institution that nothing he says comes out right.

In the State of Bahia, Brazil, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression.

In this surrealist cult-classic, Mary Henry (Candace Hilligoss) mysteriously survives a car wreck. In an effort to put this traumatizing incident behind her, Mary moves to Utah where she takes on a job as a church organist.. However, her fresh new start is interrupted by the haunting, relentless presence of a strange man (Herk Harvey) who seems to follow where ever she goes. As her sightings of the man increase, she finds herself drawn to the dilapidated carnival on the outskirts of town. It isn't long before she discovers the terrifying secrets it holds.... "[A] unique horror movie where the low budget, gritty footage and rough performances combine to create not only an unsettling atmosphere of dread but also a study of existential angst in the face of unimaginable horror." - Matt Brunson, Creative Loafing. "...One of the most original and unsettling horror movies to come out of America during its B-movie saturated, drive-in friendly period." - Film4

Generally considered the first horror film produced in Spain, The Awful Dr. Orlof (L'horrible Docteur Orlof) launched the career of cult cinema's most colorful figure: Jesus "Jess" Franco. Cloaking the story in the visual style of the British gothic film, Franco injected Orlof with the kind of morbid eroticism that would quickly become his signature (and is presented here in the uncensored French release version)...Howard Vernon stars as a diabolical surgeon who, with the help of his blind minion Morpho (Ricardo Valle), lures beautiful women into the operating room of his stone castle, so they may provide the raw materials for a series of experimental face grafts for his disfigured daughter.

Station Inspector Brock witnesses a robbery. When he fails to report one of the culprits, he starts experiencing flashbacks of his earlier failure to take a stand against Nazi persecutions. The second track was screened at The Museum of Modern Art in 2005 as part of the film series Rebels with a cause: the cinema of East Germany. It is the only East German film to explore the theme of former Nazis leading normal lives in the GDR, something authorities said only took place in West Germany. This sensitive subject matter was one reason why the film was rarely shown in East German theaters.

Eugene O'Neill's magnificent autobiographical account of his turbulent family life is brought to the screen with an overpowering wealth of talent. Katharine Hepburn as the mother - lonely, ravaged by narcotics and frightened by a world with which she cannot cope. Ralph Richardson as the alcoholic father, a miser embittered by his expired career. Jason Robards as the tortured older brother, a failure to everyone including himself. And Dean Stockwell as the budding writer, struggling with his craft... and a family that exists in name only. Eugene O'Neill's Pulitzer Prize-winning play became one of the most honored motion pictures ever produced. Nominated for Best Actress in a Leading Role (Katharine Hepburn) at the **Acaedmy Awards**. Nominated for Best Actress - Drama (Katherine Hepburn) at the **Golden Globes**. Winner of Best Actor (Dean Stockwell, Jason Robards, Ralph Richardson) and Best Actress (Katherine Hepburn) and nominated for the Palme d'Or at the **Cannes Film Festival**.

Legendary Irish playwright Brendan Behan's insider's look at life on death row is a film "studded with gem-like performances" (Hollywood Reporter) that packs "a harsh Irish eloquence and a brutal dramatic punch" (New York Times).

Director Howard Hawks reteams with John Wayne, who heads a group of highly skilled professional game hunters in Africa. Only they don't use bullets - they capture the ferocious big game with strong rope and cameras for zoos and circus attractions. Nominated for an **Academy Award** for Best Cinematography, Color. *"one of those rare films that genuinely constitutes a 'late masterpiece'." - Derek Adams, **Time Out***