When Fred Staples is recruited onto the board of a high-powered New York corporation, he finds his ethics and ambition at odds.

An irreverent black comedy adapted by Frank Launder (The Lady Vanishes) and Sidney Gilliat (Night Train to Munich) from their play Meet a Body, THE GREEN MAN marked the directorial debut of camera operator Robert Day (Tarzan the Magnificent). A scintillating Alastair Sim (An Inspector Calls) plays Hawkins, a timid watchmaker with a part-time job-he is also a professional assassin who bumps off the people we love to hate. But when pompous MP Sir Gregory Upshott (Raymond Huntley, So Evil My Love) is the intended target, bungling vacuum cleaner salesman William Blake (George Cole, Cleopatra) always gets in the way. As the time of the assassination draws even closer and Hawkins tracks his victim to a dilapidated seaside hotel called THE GREEN MAN, the laughs and the tension steadily rise to a brilliant climax. A perfect companion piece to Alexander Mackendrick's The Ladykillers, THE GREEN MAN is an enormously entertaining farce that dutifully ticks all the genre's expected boxes (mistaken identities, compromising positions, much panicking and slamming of doors). Co-starring comedy legend Terry-Thomas (Those Daring Young Men in Their Jaunty Jalopies).

Following his father's death, a boy leaves home to study in Calcutta, while his mother must face a life alone. Nominated for two **BAFTA Film Awards**, including Best Film from any Source. Golden Lion winner at the **Venice Film Festival**.

Leo Tolstoy's literary masterpiece comes to life in this epic film classic, featuring the talents of some of the greatest names from Hollywood's Golden Age. Starring Audrey Hepburn as Natasha, Henry Fonda as Pierre, and Mel Ferrer as Prince Andrei, WAR AND PEACE is a compelling **Oscar**-nominated drama of international conflict, spectacular adventure, gripping intrigue and tragic romance set against the sweeping backdrop of Napoleon's invasion of Russia. Nominated for Best Director at the **Academy Awards**. Winner of Best Foreign-Language Foreign Film and nominated for Best Motion Picture - Drama, Best Director, Best Actress (Audrey Hepburn), and Best Supporting Actor (Oskar Homolka) at the **Golden Globes**. Nominated for Best British Actress (Audrey Hepburn) and Best Film at the **BAFTA Awards**.

Comedy legend Benny Hill (The Italian Job) stars as Hugo Dill, an inept ice rink attendant, amateur detective and extremely clumsy master of disguise. When Hugo stumbles into an international espionage plot, he's thrown into a crazy case of mistaken identity, murderous spies, a bumbling romance with a beautiful strongwoman (Belinda Lee, It Happened in '43) and a top-secret machine that can control the world's weather. David Kossoff (The Mouse That Roared) co-stars in this Ealing Studios slapstick hit directed by the great Basil Dearden (Dead of Night, The Mind Benders) and written by T.E.B. Clarke (The Lavender Hill Mob).

Unseen theatrically since the early 1970s and never before broadcast or issued on home video, Seven Wonders of the World has been digitally remastered from its original camera negatives. The global adventure captures the beauty and culture of these extraordinary places in a Cinerama time capsule...Of the seven sites the ancient Greeks named the "wonders of the world,"only one remains. Seven Wonders of the World is a round-the-world adventure that picks up where the Greeks of antiquity left off. Released in 1956, this Cinerama spectacle follows 20th century adventurer Lowell Thomas as he seeks out the Seven Wonders of the Modern World. Join him as he flies across the globe in the "Smasher,"a converted B-25, capturing some of the most breathtaking photography ever shot...The quest opens at the great pyramids, the last of the original Seven Wonders to still exist. From there, the "Smasher"circles the globe with Cinerama photographing a live East Africa volcano, under the bridges in New York, over and around Rio de Janeiro, the Parthenon in Athens, Angel Falls in South America, and many stops along the way to experience the beautiful culture of diverse locales. The film encourages the audience to choose from the dozens of sites explored. "What are your seven wonders?"

In the second installment of Ernst Marischka's trilogy, the young Empress Sissi is enchanted by Hungary, a country she has never visited, but feels an affinity with. The Hungarians are deeply affected by Sissi's love for their country, and want to crown Emporer Franz Joseph and Sissi as King and Queen of Hungary. Sissi then gives birth to a daughter, but her happiness is broken, when her mother in law, Archduchess Sophie, decides to nourish the baby herself, and takes it away from her.. Sissi runs away to her family in Bavaria. Franz Joseph follows her, and takes her on a honeymoon in the Austrian Alps. Sissi's mother, Duchess Ludovika, goes to Vienna to implore her sister, Archduchess Sophie, to give the baby back to Sissi.. The Sissi trilogy presents through heartwarming storytelling and undeniable visual beauty a Cinderella story in scrupulous detail, in three chronologically biographical films that, together, take nearly six hours to watch.. Nominated for the Palme d'Or at the Cannes Film Festival.

Fleeing an uprising in an Amazon mining town, a small group of French people are forced to flee for their lives into the jungle. Starving, exhausted, and stripped of their old identities, they wander desperately lured by one deceptive promise of salvation after another. *"...a prime example of subversive cinema." - Dave Kehr, **The Chicago Reader***

Bob has decided to give up his business in order to enjoy his hobby: gambling. However, he cannot refuse one last job proposed by a friend: to take part in an amazing raid on the Deauville casino. But that day, seeing the gaming rooms, Bob is riveted by a gambling table where he wins in an unabashed fashion, and he forgets about his role in the well-planned hold-up. *"Its realism is not the reality of life, but of the kind of movies that give shape to the disordered lives of the people who watch movies." - Vincent Canby, **The New York Times*** *"...has a good claim to be the first film of the French New Wave." - Roger Ebert, **The Chicago Sun-Times***