Edmond Dantes has been wrongly accused of a plot against the post-Napoleonic French government. Condemned to a prison cell in the impenetrable Chateau D'If, Dantes vows vengeance against the four conspirators who framed him. He is particularly anxious to give his ex-friend Mondego his comeuppance, since it was Mondego who married Dantes' fiancee Mercedes. Twelve years pass; with the help of ancient fellow prisoner Abbe Foria, Dantes digs his way out of the Chateau D'If and escapes. He finds the treasure of Monte Cristo, which makes him the wealthiest man in the world.. He uses his riches to put his plan of revenge into motion, methodically destroying every one of his enemies. Though he lives for vengeance, Dantes--alias the Count of Monte Cristo--has his humanity restored by the love of Mercedes, who despite her marriage has always remained spiritually faithful to him..

Based on a fable by Ernst Keienburg, this short drama exhibits an entrancing sense of space. As a story about a monstrous man who steals a town's musical instruments, scholars argue that this is an anti-Nazi allegory. When the musical instruments come to life, Reiniger's playful silhouette animation celebrates the power of music as joy overcomes evil.

The wedding of Palo (Palos Brudefaerd) (1934), Nanook's obvious successor, is the last beautiful work of the famed Danish polar explorer and anthropologist Dr. Knud Rasmussen. Filmed in sound with an Inuit cast from the Angmagssalik district of east Greenland, Palo, like Nanook, documents a vanishing lifestyle and uses Flaherty's devise of an appealing narrative; in this case, a story of two men who desire the same woman as a wife. It is mastered in high definition and digitally restored from an original 35mm nitrate print in the collection of George Eastman House.

This low-budget and shadowy twist-filled procedural was the last film that Reid directed and combines the straightforward approach of a silent era drama or thriller with the dizzying absurdity and sensationalism of the independently produced early exploitation and B-genre films.

JUDGE PRIEST, a proud Confederate veteran, uses common sense and considerable humanity to dispense justice in a small town in the Post-Bellum Kentucky.

Bette Davis rose from the ranks of Warner Bros. contract players to become a screen superstar when she was loaned out to RKO to appear in John Cromwell's adaptation of W. Somerset Maugham's Of Human Bondage. Leslie Howard (Gone with the wind) stars as Philip, a British medical student who becomes infatuated with a most unlikely woman: a vulgar waitress named Mildred (Davis). Undeterred by Mildred's obvious contempt of him (and her disgust for his disabled foot), Philip lavishes his affection upon the tawdry woman, and allows his personal and professional life to disintegrate as a consequence of her sadistic whims. Though considered an unlikely choice to play a cockney working girl, Davis fearlessly embraced Mildred's dark side, and delivered an erotic yet malevolent performance that launched her to the forefront of Hollywood's leading ladies.

An ordinary British couple vacationing in Switzerland suddenly find themselves embroiled in a case of international intrigue when their daughter is kidnapped by spies plotting a political assassination.

Wavering between dirt-budget horor movie and mental illness docudrama, this surreal cult classic is spiced with shocking outbursts of violence, nudity, and morbid humor. Includes the original trailer.