Uzumasa, Japan's Hollywood, has produced many beloved jidaigeki period films, but would not be the same without the kirareyaku, actors who never see the limelight. This story of the end of their era is told with melancholy and soul.

This is a story about a married couple,"Mr. & Mrs. Hikita" who have been having difficulty with fertility treatments for several years.The couple had enjoyed their life like an adventure, so they have never thought about having a baby (like an ordinary life). One day, the young wife just said, "I want to meet Hikita-san's baby!" Then they started trying to have a baby. However, it's not easy to become pregnant. Mr. Hikita is 49 years old at the time, he is too old to have enough ability for pregnancy! Mr. and Ms. Hikita start to get infertility treatments but it fails again and again. Facing a conflict with the wife's father who strongly oppose to the treatment, they continue the treatments.

Koichi's wish is for his family to be reunited. He learns a new train line will open and starts to believe that a miracle will take place with the trains. Koichi sets out on a journey with a group of friends, each hoping to witness a miracle.

The near future where smartphone games playing in VR are in fashion. The game "VR WORKPLACE", developed to support employment for the increasing number of NEETs, is attracting attention."VR WORKPLACE" reproduces "paradise for workers" in the game. It is an epoch-making game because players can aim to return to society while working with friendly AI colleagues in an environment where there is no unreasonableness or compliance violation. But one day, a bug occurs in the game. It is harassment of the player caused by the AI character "Section Manager Iwaki".The development team is ordered to fix Iwaki as soon as possible ...

Down on their luck and desperate for money to buy drugs, Mitsuru (Tetsuji Tamayama) and Maki (Asami Mizukawa) have the perfect plan. They decide to kidnap a young girl and hide out in an abandoned school, until their demands are met. Everything is going according to plan, until they realize they have made one gross miscalculation. Their hostage died a year ago today and now it's their turn.

In a small town with a big red bridge, a run-down apartment, which everyone calls a haunted house, stands still. A few days before the summer break begins, two high school girls, Kaede and Azusa, find a boy living in the abandoned place by himself. Naming him "Mon", they take care of him without being noticed by anyone. One day, they meet Sugai, an officer of the child support center of the town, telling them that Mon may have been neglected by his parents.

A powerful affirmation of the immersive potential of cinema. HAPPY HOUR is a slow-burning epic chronicling the emotional journey of four thirty-something women in the misty seaside city of Kobe. As they navigate the unsteady currents of their work, domestic, and romantic lives a sudden, unexpected rift opens between that propels each to a new, richer understanding of life and love. Filmmaker Ryusuke Hamaguchi's wise, precisely observed, compulsively watchable drama of friendship and midlife awakening runs over five hours, yet the leisurely duration is not an indulgence but a strategy to create a novelistic space for everyday moments to become charged with possibility that yields a subtle emotional intensity rarely possible in a standard-length film..