Workers Leaving the Lumiere Factory, The Gardener, Arrival of a Train at La Ciot Station and many more are on display in Lumiere's First Picture Show; a collection of firsts from the filmakers that started a business of film production, exhibition and distribution. The acknowledged birth of film history was December 28, 1895 when the first paying audience gathered at the Grand Cafe on Boulevard des Capucines, Paris, for a performance of films on the Cinematographe of brothers Louis and Auguste Lumiere. This program is mostly reproduced from a collection of original Lumiere films unearthed in 1972 from a basement storage area in the Los Angeles County Museum of Natural History. They were copied using an original Cinematographe as a printer. The program includes twenty films from 1895-97 taken in France, four special films that were hand-colored one frame at a time, and thirteen films taken in Washington, Chicago and New York City during 1896-97 in the United States.

I see a new world. Do you see it? If you listened to the city back in 1984, here's what it told you: there are dark days coming, and the only way to survive them is by being rich. Made during the re-election year of Ronald Reagan, the election year of Prime Minister Brian Mulroney and the very beginnings of the shattering saving and loan scandal that would come to look like candy store shoplifting a generation on, Ron Mann's rare early non-documentary movie is like a downtown artist's poster collage of DIY urgency: from the opening sequence, in which the poet/punk Jim Carroll rises like Lazarus from his hospital bed and takes to the streets with a vertical IV drip and a message about better days, to the ensuing satirical depiction of a corporation coldly deciding to cut the unprofitable heart out of the city it calls home, the movie plays as fearless, street-art inspired pastiche: part experimental polemic, part political cartoon, part video art installation, part performance prank. Just as Jim Carroll passes through its ominous depiction of a ruined Toronto, so does bp nichol, P.J. Soles, the late Jack Layton, Barry Callaghan, the Spoons' Sandy Horne and fellow activist-documentarist Peter Wintonick. All kinds of people urging us to listen. And all these years later and it's still pissed off. Just as it should be.

Noted by legendary film critic Roger Ebert as one of his top ten favorite films of all time, this masterpiece from Oscar-nominated director Werner Herzog is an unforgettable portrait of madness and power. In the mid-16th century, after annihilating the Incan empire, Gonzalo Pizarro (Allejandro Repulles) leads his army of conquistadors over the Andes into the heart of the most savage environment on earth in search of the fabled City of Gold, El Dorado. As the soldiers battle starvation, Indians, the forces of nature, and each other, Don Lope de Aguirre (Klaus Kinski), "The Wrath of God," is consumed with visions of conquering all of South America and revolts, leading his own army down a treacherous river on a doomed quest into oblivion.

In the lush tradition of the glorious films of Merchant and Ivory, comes the true story of Leonie Gilmour (Emily Mortimer), who crossed continents, wars and cultures, embodied with courage and passion in search of art and freedom. An independent young woman frustrated by turn-of-the century gender norms, Gilmour finds work as an editor for the famous Japanese poet, Yone Noguchi (Shido Nakamura). Their relationship grows and becomes romantic, but Noguchi abruptly leaves when he learns Gilmour is pregnant. Following him to Japan, Gilmour is cast alone to raise their son in a society with few opportunities for women. LEONIE is a tender and inspiring story of a trailblazing woman who challenged her time's sexism and nurtured a profoundly talented son: the world renown artist, Isamu Noguchi.

Kaisa, a beautiful and feisty Scottish woman, finally has her life together...at least until her mother asks an enormous favor: to bring back to her Kaisa's estranged father. The two of them, father and daughter together, set out on a wild, brutally funny yet heartbreaking journey that takes them through their emotional past, before reaching their ultimate destination.

Eleven acclaimed directors each make an 11 minute short film in response to the 9/11 terrorist attacks. The result is a daring and moving global cinematic reply that "forces us to look at the entire event afresh" (The New York Times)...Featuring films by: Alejandro Gonzlez Inrritu (Babel, Amores Perros); Mira Nair (The Namesake, Vanity Fair); Ken Loach (The Wind That Shakes the Barley); Sean Penn (Into the Wild) and more.