Half waking dream and half fiery polemic, THE GARDEN was born of director Derek Jarman's rage over continued anti-gay discrimination and the sluggardly response to the AIDS crisis-he had been diagnosed HIV-positive in 1988. Starring Tilda Swinton (Michael Clayton), this uniquely kaleidoscopic film shows the filmmaker's genius at its most coruscating, making space in its breadth of vision for an over-the-top Hollywood-style musical number, nightmare images of tar-and-feather queer persecution, and footage of the particularly menacing-looking nuclear power plant that overlooks Jarman's own garden, the point from which his film begins, and a cherished spot which he must keep tending to even as his body begins to betray him. Writhing with sorrow and anger, and yet so vividly alive to the loveliness of being, THE GARDEN is a baleful and beautiful epistle from the brink of beyond.

Playfully exploring the outer reaches of cult film fandom, Sex Madness Revealed is both an ingenious twist on the audio commentary and a satire of the wisecrack track (featuring the voice of MST3K regular Patton Oswalt). Using as it foundation a low-budget sex hygiene picture from 1938 (Sex Madness, aka Human Wreckage), we listen in as Jimmy Morris (Oswalt), of the popular "Film Dick" podcast, hosts an irreverent conversation with the filmmaker's grandson, the eerily emotionless Chester Holloway (Rob Zabrecky) while the film streams behind them. But as the on-screen plot unfolds, a much darker story unravels within the recording booth, about the sinister mastermind behind the film, and the unorthodox methods he employed.

When big-hearted but dimwitted Portuguese soccer hunk DIAMANTINO (Carloto Cotta, Tabu) blows it in the World Cup finals, he goes from superstar to laughing stock overnight. His sheltered worldview is further shattered after learning about the European refugee crisis and he resolves to make amends by adopting an African refugee - only to find that his new "son" is actually an undercover lesbian tax auditor investigating him on the suspicion of corruption. From there, Diamantino gets swept up in a gonzo comic odyssey involving cigarette-smoking evil twins, Secret Service skullduggery, mad science genetic modification, and a right-wing anti-EU conspiracy. Vividly photographed in Super 16mm and featuring the biggest stampedes of giant Pekingese puppies you've ever seen, Gabriel Abrantes and Daniel Schmidt's genre-blending and gender-bending satire is the high-camp masterpiece of 2019!

Written by Samuel Beckett. Directed by Alan Schneider for "Play of the Week." Starring Zero Mostel and Burgess Meredith. Restored by UCLA Film & Television Archive.

A young bride is possessed by the spirit of her dead husband's dislocated soul. Based on the Yiddish theater's most memorable play.

Shot on location at the ancient and ghostly Stoneleigh Abbey, THE TEMPEST is Derek Jarman's (War Requiem) acclaimed 1979 film adaptation of William Shakespeare's final great play. It is the story of Prospero the magician, who lives on an island with his nubile daughter on an enchanted island and punishes his enemies when they are shipwrecked there. Essentially a study of sexual and political power in the guise of a fairy tale, in Jarman's hands, THE TEMPEST becomes an original and dazzling spectacle mixing Hollywood pastiche, high camp, and gothic horror. The film recalls the innocent homoeroticism of Pasolini's versions of classics, while its lush sense of decor and color is worthy of Minnelli. The master stroke in THE TEMPEST is the finale, a wedding feast designed and choreographed as a full-scale production number, with the veteran black musical comedy star Elisabeth Welch wafting her way through a chorus line of hunky sailors as she belts out "Stormy Weather." It is one of the great scenes in contemporary British cinema.

Triggered by a series of earthquakes on the West Coast of the United States, a massive tidal wave circles the globe and-in a prolonged and spectacular special effects sequence-wipes out New York City. Sidney Blackmer stars as a man who, separated from his family, must begin to rebuild civilization in the wake of the catastrophe. For decades, DELUGE was a lost film of almost mythical status, until horror/sci-fi archivist Forrest J. Ackerman discovered an Italian-dubbed print in 1981. Viewing this poor-quality print was an arduous experience and was only a dim substitute for the original film. But all this changed in 2016 when Lobster Films unearthed a 35mm nitrate negative with the original English soundtrack.

A pop sci-fi lesbian extravaganza set in the year 2700 in the fictional burned-out city of Asche that follows the tangled lives of three women. This story of obsession and revenge is also an anti-romantic plea for love in all its many forms. A truly underground film shot on Super 8 and newly restored, Flaming Ears is original for its playful disruption of narrative conventions, its witty approach to film genre, and its punk visual splendor.

Immediately following the success of Black Sunday, Mario Bava was recruited to direct (and photograph) the second of Reg Park's Hercules films for producer Achille Piazzi. Freely departing from Roman mythology, the film gave Bava the opportunity to reimagine the sword-and-sandal genre. On its surface a jovial comedy adventure, Hercules in the Haunted World features a striking use of color, which would become one of Bava's directorial hallmarks. But this playful peplum is tinged with a sense of genuine foreboding, voiced by a masked oracle Medea (Gaia Germani) in one of the film's most stunning sequences. When Hercules descends into the depths of hell and confronts Lico (Christopher Lee), who has the power to call forth corpses from their tombs, the film plunges into the eye-popping, bone-chilling horror for which Bava had recently become famous.

This charming, whimsical story about a waifish daydreamer with artistic aspirations is structured around a video-recorded confession. In Patricia Rozema's fanciful character study, aspiring photographer Polly (comedian Sheila McCarthy) lands a job at a Toronto art gallery run by Gabrielle (Paule Baillargeon), who is also a painter. Polly is impressed with Gabrielle's paintings, but as Polly gets to know her lover Mary (Ann-Marie MacDonald) and becomes entangled in their lives, she realizes Gabrielle isn't exactly who she appears to be. The gauche absent-minded temp with spiky orange hair and the polished, bourgeois curator with a gift for gab are like night and day, yet a strong connection builds between these two women through their shared love of art, and their genuine curiosity and appetite for love. Winner of the Prix de la Jeunesse at the 1987 Cannes Film Festival.

LIGHTNING OVER BRADDOCK: A RUSTBOWL FANTASY is as eccentric a picture of America as has emerged in the last two decades. Like Buba's earlier short films, it chronicles the decline of Braddock, Pennsylvania, a hard-luck town which once flourished as "Pittsburgh's shopping center." It concerns a director (Buba, playing himself) trying, without much success, to make a movie with a crazy street hustler named Sal, who considers himself responsible for Buba's (modest) success. Like Errol Morris, Buba has a fascination with the idiocyncratic details of daily life, and uses his formidable sense of humor to document the decay of industrial America. LIGHTNING OVER BRADDOCK, Buba's magnum opus, might have its tongue in its cheek but its heart is always firmly in the right place.

Take a dash of Tarantino, a splash of Coen brothers, a metric ton of pretzel-logic self-awareness, and a fast-paced series of humorously violent misadventures, and you're halfway to grasping the magnificent German madness of this bizarre import. Hunting down the murderer of their families in a near-future Berlin, a gang of lowlife characters all want revenge on each other, but along the way they must contend with a myriad of wicked fairytale types-assassins, madmen, a blood-covered angel, and an electric-powered superhero-all apparently come to life through a screenplay written by a demented but clueless dentist. Must be experienced to be believed, and guaranteed to twist your mind.