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Summary
Summary
A master of the wordless form imagines a futuristic Noah's Ark in a luminous sci-fi parable for our changing world.
The Earth has flooded. The only signs of humankind are the waterlogged structures they left behind. Peeking out from the deluge are the remnants of a zoo, home to rare and endangered animals, survivors of long neglect. Tender-hearted NOA is a construction robot who's found new purpose as the caretaker of the zoo's beleaguered inhabitants. Bracing for the next storm, NOA builds an ark from the wreckage in search of new land and a new home, only to discover something even more profound. With boundless compassion and sweeping scenes of sea and sky punctuated by detailed wordless panels to pore over, Caldecott Honor-winning creator Aaron Becker delivers a timely and concrete message about the rewards of caring in even the most difficult of times that is sure to inspire the dreamers among us.
Author Notes
Aaron Becker is the best-selling author of the award-winning Journey trilogy and other books for children young and old, including The Tree and the River and A Stone for Sascha. When he's not home with his wife and two daughters, he can be found creating something new in his backyard studio in western Massachusetts.
Reviews (4)
Publisher's Weekly Review
This beguiling ark story, splendidly drafted in wordless spreads, stars a robot zookeeper who combines the spare-parts body of Wall-E with the gentle bearing of Amos McGee. The enormous robot dwarfs the toylike giraffes, pandas, tigers, and other charismatic megafauna that it cares for in a postapocalyptic landscape of half-submerged architectural gems, and it makes model sailboats after a long day of labor. When rain begins to fall and the sea rises further, the robot gathers the animals and executes a large-scale idea. Usable wreckage, the robot's fascination with boatbuilding, and its own built-in tools produce a magnificent sloop capable of carrying the whole menagerie to safety--until a massive storm strikes at sea. While the place where the ship grounds is desolate, the unexpected appearance of a new friend changes everything. An epigraph from Jane Goodall makes the story's conservation message clear, but Becker (The Tree and the River) avoids polemics in favor of worldbuilding that suggests the need for early action, underscores the power of practical measures, and holds out the promise of hope. Ages 5--9. (Mar.)
Horn Book Review
Becker's (The Tree and the River, rev. 3/23) latest wordless fantasy takes readers to a post-apocalyptic future. Animals in a flooded zoo huddle on exposed bits of dry land; they are tended by an enormous yellow robot with wind turbines mounted on its back. Becker works in landscape orientation, with the robot's verticality dominating most compositions. Viewers get a sense of its scale by the relative smallness of the animals -- it can hold two pandas, an adult and a cub, in its palm. Becker gives readers no clues as to the nature of the calamity that has befallen this place beyond the endless water, the decay of the zoo buildings, and the utter absence of humans. But he does give them some semblance of hope. As the water rises, the robot fashions an ark of sorts. The animals file aboard, and they all set sail on a journey that gives Becker ample opportunity to explore the moods of his seascape. An encounter with another robot, this one blue and powered by solar panels, leads to sanctuary. Its hot air balloon accommodates both robots and all the animals, carrying them to an Edenic island, lush with vegetation and complete with waterfall and rainbow. Becker's characteristically virtuosic ink and watercolor paintings offer much for young readers to pore over and peer at, which may be enough for many. Others will find the story and the questions it poses lingering long after the book is closed. Vicky SmithJanuary/February 2024 p.70 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Caldecott Honoree Becker's dystopian imaginings once more find fruit in picture-book format. The biblical Noah as a gargantuan robot? Stranger things have been conceived of. In flooded lands replete with incredibly detailed architecture (think David Macaulay meets WALL-E's world) but with no humans in sight, a towering yellow robot, the word NOA on its arm, powered by wind turbines from its back, sets forth to collect all the animals of the world. The waters rise to NOA's knees, but still our robotic avatar collects with infinite kindness every giraffe, panda, tiger, and elephant it can find. The crumbling world around them hints at the zoos and circuses where once these creatures made their homes. Now, they sail away with NOA on a boat built by the automaton. This wordless tale outlines their struggles, from storm to shipwreck and, ultimately, to hope. The allusions to both Noah's Ark and Eden are sly but ever present, set as they are against Becker's sumptuous watercolor and pen-and-ink backdrops. Here, the very existence of life on Earth hangs in the balance, and the stakes have never been higher. Minute details pepper each scene, giving sharp-eyed readers the chance to find something new every time they page through this book (like the fact that the meat-eating tigers are kept in their own separate cage on the robot's boat). True fans will find themselves poring over these pictures for hours. Epic storytelling erupts on the page without the use of a single word. Superb. (Picture book. 4-7) Copyright (c) Kirkus Reviews, used with permission.
Booklist Review
In another visionary wordless picture book by multiple award-winning author-illustrator Becker, an endearing, gigantic, yellow-bodied robot wearing a quiver of wind turbines tends to the feeding of zoo animals; as rising waters turn their habitats into increasingly smaller islands, the resourceful robot fashions an enormous vessel from salvaged flotsam. Vast skies turn from rosy dawns to star-scattered nights as the boat sets off carrying its cargo of rescued animals, but a thrashing storm leaves it wrecked on a sandbank. Fortunately, another enormous robot--purple and sporting a solar panel on its back--arrives in a hot air balloon to offer friendly assistance. The new partners sail skyward with their animal charges toward a new island home. Compelling environmental references are both dramatic (the shifting splendor of skies and seas in spreads of magnificent watercolor washes) and specific (the ecology symbols painted on the robots' bellies and the yellow robot's ever-present flamingo friends.) In this gentle postapocalyptic fable, presented through scenes both breathtaking and charmingly inventive, an ingenious and courageous struggle for survival yields a tender and hopeful ending.
