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Summary
Summary
The year is 1963, and young Denise Palms has rejoined her family in Detroit where she must work to make a place for herself and prepare for the arrival of her mother's new baby. The baby will mean the end of Denise's afterschool lessons with a stern teacher who insists that Denise learn to speak "proper" English to make herself heard. Verdelle's intuition and ear allow her to dramatize precise moments of Denise's self-recognition and, in the process, offer an inside look at a maturing intelligence. The Good Negress marks the arrival of an original voice in contemporary fiction.
"Truly extraordinary." --Toni Morrison
A Quality Paperback Book Club Selection
Winner of the Harold D. Vursell Award, American Academy of Arts and Letters
Author Notes
A.J. Verdelle was born and raised in Washington, D.C., graduated from the University of Chicago with a degree in political science, and went on for two postgraduate degrees in statistics and writing. She is founder and owner of Applied Statistics and Research, a consulting company in New York.
Reviews (6)
Publisher's Weekly Review
In a particularly accomplished debut, Verdelle imbues her ambitious novel with a confident style, finely realized characters and a strikingly original first-person voice. In the early 1960s, 12-year-old Denise Palms, who has been living with her maternal grandmother in rural Virginia for five years, is summoned home to Detroit to care for her expectant mother, Margarete, new stepfather and adored older brothers. Neesey knows little of the world beyond Granma'am's country life but is excited to rejoin her two siblings who, in her absence, have become very different from each other: David is reliable and implacable, but unfocused Luke edward constantly courts trouble. At the local public school, Denise's intellectual promise catches the attention of Gloria Pearson, an idealistic young teacher, who works tirelessly to perfect Denise's backwater English and thereby raise her pupil's expectations for her future. Denise thrives under Gloria's tutelage, but conflict arises when her family's needs and her mentor's desires clash. At the same time, Luke edward's life slowly begins to spiral out of control when he gets caught stealing. Denise must become the fulcrum of her family's problems as she attempts to define her own identity. Verdelle imaginatively uses Denise's subtly evolving language to mirror the girl's growing awareness. Her characters, especially Margarete and Granma'am, are convincingly human in their true-to-life imperfections. Consistently absorbing and beautifully detailed, Verdelle's novel brings universal truths to an affecting study of adolescence. Author tour. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
This novel fits in the rite-of-passage genre quite nicely. Denise has lived in rural Virginia with her paternal grandmother for most of her life, but when her mother, who is about to give birth, asks for help with her housekeeping, Denise joins her family in Detroit. The adjustment Denise must make to a new physical environment is not nearly as daunting as the adjustment to her family (mother, grandmother, stepfather, and two brothers), who seem content to allow her to clean and cook. Once she begins school, she learns of her language deficiencies and how important it is for her to tackle and learn the King's English. It is this new realization that causes her internal conflicts between "helping out" her mother and pursuing her desire for an education. The Good Negress is a sad story, but the use of dialect and the descriptions of the present detailed by the explanations of the past make it an interesting tale of pulling oneself up by one's own bootstraps. --Lillian Lewis The Heinemann African Writers Series was started in 1962 and contains titles by both well-known African writers, such as Chinua Achebe, and lesser-known writers, such as many of the authors whose works are reviewed here. By acknowledging this series in the Black History Month issue, we recognize the African part of African American origins with some engaging works that are good for all seasons.
Choice Review
This work both meets and expands our expectations of the American female novel of development. Denise Palms, the twelve year old narrator, lived with her maternal grandmother in Virginia before she rejoined her family in Detroit. Her journey from the rural south to the urban north parallels those made by thousands of American blacks during the years between the wars. The description of her growth from a naive, black dialect-speaking ingenue into an urban schoolgirl charged with the enormous tasks of running her mother's house shows just how difficult it was for many girls her age to make the transition. The family quickly takes Denise's passion for domestic orderliness for granted, so much so that no one remembers her 14th birthday. She gleans most of the lessons she learns about human relationships by observing her mother, stepfather, and two brothers. She mediates arguments and troubles with the law and determines to learn to speak "the king's English" in the manner of her pompous, black bourgeois schoolteacher. Yet Denise conveys most of her narrative in the rich and colorful African American dialect: she commands the folk language and understands the world through folk vernacular and beliefs. Denise arrives at the threshold of adulthood once she is able to speak the two versions of English, and to understand when to make that shift. Verdelle's truly fine debut novel belongs in the ranks of other classics in African American folk vernacular, e.g., Charles Chesnutt's The Conjure Woman (1899); Zora Neale Hurston's Their Eyes Were Watching God (1900); Toni Morrison's The Bluest Eye (1970); and Alice Walker's The Color Purple (1982). A. Deck; University of Illinois at UrbanaDSChampaign
School Library Journal Review
YAThis first novel by an exceptional writer indicates the wide scope of the African American female experience. Set in Virginia and Detroit during the 1950s and 1960s, the story concerns a young black girl who is encouraged by her teacher to shed her southern ``back woods'' ways. Neesy is astonished to learn that the proper way of spelling and pronouncing her name is Denise. More than anything, she wants to be educated, and does not want to spend her life as a ``good negress.'' For to be a good negress is never to look beyond one's station in life, to merely construct a self where expectation and performance are low. Forced to leave her grandmother's house in rural Virginia to move to Detroit to live with her pregnant mother and her mother's new husband, Denise begins to resent the fact that at 14 her education will end in order to attend to her mother's newborn. Encouraged to ``jump to the moon'' by her teacher, she continues to study despite her absence from school. Finally, her tenacity makes her triumphant. This is a difficult novel to read because of its flashbacks and foreshadowing, but its stress on education and a girl's coming of age are enough to tempt readers to stick with it to the end.Michele L. Simms-Burton, George Washington University, DC (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
In a knife-edged, poignant debut, Brooklyn-based Verdelle cuts to the heart and innermost thoughts of a black girl--a girl coming of age in 1960's Detroit--who struggles against racial limits and family entrapments to develop a mind yearning for fulfillment. When Denise's mother, Margarete, freshly widowed, leaves Denise with her grandmother in rural Virginia, the little girl is heartbroken. But she adapts quickly to country ways so that when she's summoned home to Detroit several years later to help her now- pregnant mother, her near-grown older brothers, and their new stepfather, she hates to go. A short, though warm, homecoming ushers in fresh realities: Denise's superior cooking and cleaning skills clinch for her the position of family housekeeper, while her down-home speech greatly impedes her progress at school. Taken under the wing of a new and exacting teacher, Miss Gloria Pearson, Denise begins to shine as a student and to dream of a better life; but in the face of mounting chores on the arrival of Margarete's baby, along with a tense situation at home as stepfather-son relations deteriorate, Denise has to make a Hobson's choice between future and family. She finds the will to juggle her responsibilities--a triumph of determination and dignity, but one with a terrible cost as she is unable to keep her favorite, ne'er- do-well brother, Luke Edward, from harm's way. Concerned after having watched him humiliated by their grandmother for shoplifting, and later driven from home for his attitude, Denise tries to protect him when his next theft is discovered, but her warning falls on deaf ears. Both the vitality and perils of life in divided families--as well as the larger conflict between a woman's duty and desire- -receive deft, honest handling here, revealing a vibrant new voice in our midst. (Author tour)
Library Journal Review
This excellent first novel examines issues of the black experience in America in a new voice. It is the coming-of-age story of Denise Palms, who leaves her grandmother's rural home to return to her family in Detroit. Denise's family expects her to concentrate on housework and childcare, but her teacher pushes her to spend time on afterschool lessons in diction and grammar in order to "better" herself. Language is the key to this novel, as the story is told in Denise's own voice, and the evolution of language in her life, as well as the questioning of the need to speak in unnatural words, plunges the book into greater depths than the simple plot would on its own. Contrasts between the urban and rural, home and the broader world, and men and women are emphasized throughout. Verdelle's ear for language is excellent, as is her portrayal of the emotional life of this young girl. Like many novels by African American women, this book portrays a matriarchy and the voicelessness of black women in the broader culture. Recommended for all libraries.Marie F. Jones, Muskingum Coll. Lib., New Concord, Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.