Excerpts

Chapter One London, England, 2003 I bit my lip on an "Are we there yet?" If ever silence was the better part of valor, now was the time. Palpable waves of annoyance emerged from the man beside me, thick enough to constitute an extra presence in the car. Under the guise of inspecting my fingernails, I snuck another glance sideways at my car mate. From that level, all I could see was a pair of hands tense on the steering wheel. They were tanned and callused against the brown corduroy cuffs of his jacket, with a .ne dust­ing of blond hairs outlined by the late-afternoon sun, and the white scar of an old cut showing against the darker skin on his left hand. Large hands. Capable hands. Right now he was probably imagining them clasped around my neck. And I don't mean in an amorous embrace. I had not been part of Mr. Colin Selwick's weekend plans. I was the fly in his ointment, the rain on his parade. The fact that it was a very attractive parade and that I was very single at the moment was entirely beside the point. If you're wondering what I was doing in a car bound for parts un­known with a relative stranger who would have liked nothing better than to drop me in a ditch--well, I'd like to say, so was I. But I knew exactly what I was doing. It all came down to, in a word, archives. Admittedly, archives aren't usually a thing to set one's blood pounding, but they do when you're a fifth-year graduate student in pursuit of a dissertation, and your advisor has begun making ominous noises about conferences and job talks and the nasty things that happen to attenuated graduate students who haven't produced a pile of paper by their tenth year. From what I understand, they're quietly shuf.ed out of the Harvard history department by dead of night and fed to a relentless horde of academic-eating crocodiles. Or they wind up at law school. Either way, the point was clear. I had to rack up some primary sources, and I had to do it soon, before the crocodiles started getting restless. There was a teensy little added incentive involved. The incentive had dark hair and brown eyes, and occupied an assistant professorship in the Gov department. His name was Grant. I have, I realize, left out his most notable characteristic. He was a cheating slime. I say that entirely dispassionately. Anyone would agree that smooching a first-year grad student--during my department's Christmas party, which he attended at my invitation--is indisputable evidence of cheating slimedom. All in all, there had never been a better time to conduct research abroad. I didn't include the bit about Grant in my grant application. There is a certain amount of irony in that, isn't there? Grant...grant.... The fact that I found that grimly amusing just goes to show the pa­thetic state to which I had been reduced. But if modern manhood had let me down, at least the past boasted brighter specimens. To wit, the Scarlet Pimpernel, the Purple Gen­tian, and the Pink Carnation, that dashing trio of spies who kept Napoleon in a froth of rage and the feminine population of England in another sort of froth entirely. Of course, when I presented my grant proposal to my advisor, I left out any references to evil exes and the aesthetic properties of knee breeches. Instead, I spoke seriously about the impact of England's aristocratic agents on the conduct of the war with France, their influence on parliamentary politics, and the deeper cultural implications of espionage as a gendered construct. But my real mission had little to do with Parliament or even the Pimpernel. I was after the Pink Carnation, the one spy who had never been unmasked. The Scarlet Pimpernel, immortalized by the Baroness Orczy, was known the world over as Sir Percy Blakeney, Baronet, possessor of a wide array of quizzing glasses and the most impeccably tied cravat in London. His less-known successor, the Purple Gentian, had carried on quite successfully for a number of years until he, too, had been undone by love, and blazoned before the international press as Lord Richard Selwick, dashing rake about town. The Pink Carnation remained a mystery, to the French and scholars alike. But not to me. I wish I could boast that I had cracked a code, or deciphered an an­cient text, or tracked an incomprehensible map to a hidden cache of papers. In fact, it was pure serendipity, disguised in the form of an elderly descendant of the Purple Gentian. Mrs. Selwick-Alderly had made me free of both her home and a vast collection of family papers. She didn't even ask for my firstborn child in return, which I understand is frequently the case with fairy godmothers in these sorts of situations. The only drawback to this felicitous arrangement was Mrs. Selwick-Alderly's nephew, current owner of Selwick Hall, and self-appointed guardian of the family heritage. His name? Mr. Colin Selwick. Yes, that Colin Selwick. To say that Colin had been less than pleased at seeing me going through his aunt's papers would have been rather like saying that Henry VIII didn't have much luck with matrimony. If decapitations were still considered a valid way of settling domestic problems, my head would have been the first on his block. Under the influence of either my charming personality or a stern talking-to from his aunt (I suspected the latter), Colin had begun to thaw to nearly human behavior. I must say, it was an impressive process. When he wasn't snapping insults at me, he had the sort of crinkly-eyed smile that made movie theaters full of women heave a collective sigh. If you liked the big, blond, sporting type. Personally, I went more for tall, dark, and intellectual myself. Not that it was an issue. Any rapport we might have developed had rapidly disintegrated when Mrs. Selwick-Alderly suggested that Colin give me access to the family archives at Selwick Hall for the weekend. Suggested is putting it a bit mildly. Railroaded would be more to the point. The traffic gods hadn't done anything to help the situation. I had given up trying to make small talk somewhere along the A-23, where there had been an epic traffic jam involving a stalled-out car, an overturned lorry, and a tow truck that reached the scene of the crime and promptly broke down out of sympathy. I cast another surreptitious glance in Colin's direction. "Would you stop looking at me like you're Red Riding Hood and I'm the wolf?" Maybe it hadn't been all that surreptitious. "Why, Grandmother, what big archives you have?" As an attempt at humor, it lacked something, but given that it was the first time my vocal cords had had any exercise over the past two hours, I was reasonably pleased with the result. "Do you ever think about anything else?" asked Colin. It was the sort of question that from anyone else I would have construed as an invitation to flirtation. From Colin, it just sounded exasperated. "Not with a dissertation deadline looming." "We," he pronounced ominously, "still have to discuss what exactly is going to go into your dissertation." "Mmmph," I said enigmatically. He had already made his feelings on that clear, and I saw no point in giving him the opportunity to reit­erate them. Less discussed, more easily ignored. It was time to change the subject. "Wine gum?" Colin emitted a choked noise that might have been a laugh if allowed to grow up. His eyes met mine in the rearview mirror in an ex­pression that might have been, "I like your nerve," or might have been "Oh, God, who let this lunatic loose in my car and where can I dump her?" All he actually said was "Thanks," and held out one large hand, palm up. In the spirit of entente, I passed over the orange and .ipped a red one into his palm. Popping the despised orange into my own mouth, I sucked it meditatively, trying to think of a conversational gambit that wouldn't touch on forbidden topics. Colin did it for me. "If you look to your left," he said, "you should be able to see the house." I caught a brief, tantalizing glimpse of crenellated battlements looming above the trees like a lost set from a Frankenstein movie be­fore the car swung around a curve, bringing us into full view of the house. Built of a creamy-colored stone, the house was what the papers might call "a stately pile," a square central section with the usual clas­sical adornments, with a smaller wing sticking out on either side of the central block. It was a perfectly normal eighteenth-century gentle-man's residence, and exactly what one would expect the Purple Gentian to have lived in. There were no battlements. The car scraped to a halt in the circle of gravel that fronted the entrance. Not waiting to see if he was going to open the door for me, I grabbed the oversized tote in which I had crammed two days' worth of weekend wear, and scrambled out of the door of the car before Colin could reach it, determined to be as obliging as possible. My heels crunched on the gravel as I followed Colin to the house, the little pebbles doing nasty things to the leather of my stacked loafers. One would have expected assorted staff to be lining the halls, but instead the front hall was decidedly empty as Colin stepped aside to allow me in. The door snapped shut with a distinctly ominous clang. "You can just take me to the library and then forget all about me," I suggested helpfully. "You won't even know I'm here." "Were you planning to sleep in the library?" he inquired with some amusement, his eyes going to the overnight bag on my arm. "Um . . . I hadn't really thought about it. I can sleep wherever." "Indeed." I could feel my face flaring with light like a high school fire alarm, and rapidly tried to ameliorate the situation. "What I mean is, I'm easy." Urgh. Worser and worser, as Alice might say. There are times when I shouldn't be allowed out of the house without a muzzle. "Easy to have as a houseguest, I mean," I specified in a strangled voice, hoisting my bag farther up on my shoulder. "I think the hospitality of Selwick Hall can stretch to providing you a bed," commented Colin dryly, leading the way up a flight of stairs tucked away to one side of the hall. "That's nice to know. Very generous of you." "Too much hassle clearing out the dungeons," explained Colin, twisting open a door not far from the landing, revealing a medium-sized room possessed of a dark four-poster bed. The walls were dark green, patterned with gold-tinted animals that looked like either dragons or gryphons, squatting on their haunches, stylized wings poking into the forequarters of the next beast over. He stepped aside to let me precede him. Dumping my bag onto the bed, I turned back around to face Colin, who was still propping up the door. I shoved my hair out of my eyes. "Thanks. Really. It's really nice of you to have me here." Colin didn't mouth any of the usual platitudes about it being no problem, or being delighted to have me. Instead, he tipped his head in the direction of the hall and said, "The loo is two doors down to your left, the hot water tends to cut out after ten minutes, and the .ush needs to be jiggled three times before it settles." "Right," I said. He got points for honesty, at least. "Got it. Loo on the left, two jiggles." "Three jiggles," Colin corrected. "Three," I repeated firmly, as though I was actually going to remember. I trailed along after Colin down the hallway. "Eloise?" A few yards ahead, Colin was holding open a door at the end of the hall. "Sorry!" I scurried down the length of the hall to catch up, plunging breathlessly through the doorway. Crossing my arms over my chest, I said, a little too heartily, "So this is the library." There certainly couldn't be any doubt on that score; never had a room so resembled popular preconception. The walls were paneled in rich, dark wood, although the .nish had worn off the edges in spots where books had scraped against the wood in passing one too many times. A whimsical iron staircase curved to the balcony, the steps narrowing into pie-shaped wedges that promised a broken neck to the unwary. I tilted my head back, dizzied by the sheer number of books, row upon row, more than the most devoted bibliophile could hope to consume in a lifetime of reading. In one corner, a pile of crumbling paperbacks--James Bond, I noticed, squinting sideways, in splashy seventies covers--struck a slightly incongruous note. I spotted a moldering pile of Country Life cheek by jowl with a complete set of Trevelyan's History of England in the original Victorian bindings. The air was rich with the smell of decaying paper and old leather bindings. Downstairs, where I stood with Colin, the shelves made way for four tall windows, two to the east and two to the north, all hung with rich red draperies checked with blue, in the obverse of the red-flecked blue carpet. On the west wall, the bookshelves surrendered pride of place to a massive .replace, topped with a carved hood to make Ivanhoe proud, and large enough to roast a serf. In short, the library was a Gothic fantasy. My face fell. "It's not original." "No, you poor innocent," said Colin. "The entire house was gutted not long before the turn of the century. The last century," he added pointedly. "Gutted?" I bleated. Oh, fine, I know it's silly, but I had harbored romantic images of walking where the Purple Gentian had walked, sitting at the desk where he had penned those hasty notes upon which the fate of the kingdom rested, viewing the kitchen where his meals had been prepared.... I made a disgusted face at myself. At this rate, I was only one step away from going through the Purple Gentian's garbage, hugging his discarded port bottles to my palpitating bosom. "Gutted," repeated Colin firmly. "The floor plan?" I asked pathetically. "Entirely altered." "Damn." The laugh lines at the corners of his mouth deepened. "I mean," I prevaricated, "what a shame for posterity." Colin raised an eyebrow. "It's considered one of the great examples of the arts and crafts movement. Most of the wallpaper and drapes were designed by William Morris, and the old nursery has fireplace tiles by Burne-Jones." "The Pre-Raphaelites are distinctly overrated," I said bitterly. Colin strolled over to the window, hands behind his back. "The gardens haven't been changed. You can always go for a stroll around the grounds if the Victorians begin to overwhelm you." "That won't be necessary," I said, with as much dignity as I could muster. "All I need is your archives." "Right," said Colin briskly, turning away from the window. "Let's get you set, then, shall we?" "Do you have a muniments room?" I asked, tagging along after him. "Nothing so grand." Colin strode straight towards one of the bookcases, causing me a momentary flutter of alarm. The books on the shelf certainly looked elderly--at least, if the dust on the spines was anything to go by--but they were all books. Printed matter. When Mrs. Selwick-Alderly had said there were records at Selwick Hall, she hadn't speci.ed what kind of records. For all I knew, she might well have meant one of those dreadful Victorian vanity publi­cations compiled from "missing" records, titled "Some Documents Formerly in the Possession of the Selwick Family but Tragically Dropped Down a Privy Last Year." They never cited their sources, and they tended to excerpt only those bits they found interesting, cut­ting out anything that might not redound to the greater credit of the ancestry. But Colin bypassed the rows of leather-bound books. Instead, he hunkered down in front of the elaborately carved mahogany wain­scoting that ran, knee-high, around the length of the room, in a move­ment as smooth as it was unexpected. "Hunh?" I nearly tripped over him, stopping so short that one of my knees banged into his shoulder blades. Grabbing the edge of a bookshelf to steady myself, I stared down in bewilderment as Colin bent over the wooden paneling, his head blocking my view of what­ever it was he was doing. All I could see was sun-streaked hair, darker at the roots as the effects of summer faded, and an expanse of bent back, broad and muscled beneath an oxford-cloth shirt. A whiff of shampoo, recently applied, wafted up against the stuffy smells of closed rooms, old books, and decaying leather. I couldn't see what he was doing, but he must have turned some sort of latch, because the wainscoting opened out, the joint cleverly disguised by the pattern of the wood. Now that I knew what to look for, there was nothing mysterious about it at all. Glancing around the room, I could see that the wainscoting was .ush with the edge of the shelves above, leaving a space about two feet deep unaccounted for. "These are all cupboards," Colin explained brie.y, swinging easily to his feet beside me. "Of course," I said, as if I had known all along, and never harbored alarming images of being forced to read late-Victorian transcriptions. One thing was sure: I need have no worries about having to entertain myself with back issues of Punch . There were piles of heavy folios bound in marbled endpapers, a scattering of .at cardboard envelopes looped shut with thin spools of twine, and whole regiments of the pale gray acid-free boxes used to hold loose documents. "How could you have kept this to yourself all these years?" I ex­claimed, falling to my knees in front of the cupboard. "Very easily," said Colin dryly. I .apped a dismissive hand in his general direction, without inter­rupting my perusal. I scooted forward to see better, tilting my head sideways to try to read the typed labels someone had glued to the spines a long time ago, if their yellowed state and the shape of the letters were anything to go by. The documents seemed to be roughly organized by person and date. The ancient labels said things like lord richard sel­wick (1776--1841), correspondence, miscellaneous, 1801--1802, or selwick hall, household accounts, 1800--1806. Bypassing the household accounts, I kept looking. I reached for a folio at random, drawing it carefully out from its place next to a little pocket-sized book bound in worn red leather. "I'll leave you to it, shall I?" said Colin. "Mmm-hmm." The folio was a type I recognized from the British Library, older documents pasted onto the leaves of a large blank book, with annota­tions around the edges in a much later hand. On the .rst page, an Ed­wardian hand had written in slanting script, "Correspondence of Lady Henrietta Selwick, 1801--1803." "Dinner in an hour?" "Mmm-hmm." I flipped deliberately towards the back, scanning salutations and dates. I was looking for references to two things: the Pink Carnation, or the school for spies founded by the Purple Gentian and his wife, af­ter necessity forced them to abandon active duty. Neither the Pink Carnation nor the spy school had been in operation much before May of 1803. Wedging the volume back into place, I jiggled the next one out from underneath, hoping that they had been stacked in some sort of chronological order. "Arsenic with a side of cyanide?" "Mmm-hmm." They had. The next folio down comprised Lady Henrietta's correspondence from March of 1803 to the following November. Perfect. On the edge of my consciousness, I heard the library door close. Scooting backwards, I sat down heavily on the floor next to the open cupboard, the folio splayed open in my lap. Nestled in the middle of Henrietta's correspondence was a letter in a different hand. Where Henrietta's script was round, with loopy letters and the occa­sional .ourish, this writing was regular enough to be a computer sim­ulation of script. Without the aid of technological enhancement, the writing spoke of an orderly hand, and an even more orderly mind. More important, I knew that handwriting. I had seen it in Mrs. Selwick-Alderly's collection, between Amy Balcourt's sloppy scrawl and Lord Richard's emphatic hand. I didn't even have to .ip to the signature on the following page to know who had penned it, but I did, anyway. "Your affectionate cousin, Jane." There are any number of Janes in history, most of them as gentle and unassuming as their name. Lady Jane Grey, the ill-fated seven-day queen of England. Jane Austen, the sweet-faced authoress, lionized by English majors and the BBC costume-drama-watching set. And then there was Miss Jane Wooliston, better known as the Pink Carnation. I clutched the binding of the folio as though it might scuttle away if I loosened my grip, refraining from making squealing noises of delight. Colin probably already thought I was a madwoman, without my providing him any additional proof. But I was squealing inside. As far as the rest of the historical community was concerned (I indulged in a bit of personal gloating), the only surviving references to the Pink Car­nation were mentions in newspapers of the period, not exactly the most reliable report. Indeed, there were even scholars who opined that the Pink Carnation did not in fact exist, that the escapades attributed to the mythical .ower .gure over a ten-year period--stealing a shipment of gold from under Bonaparte's nose, burning down a French boot fac­tory, spiriting away a convoy of munitions in Portugal during the Peninsular War, to name just a few--had been the work of a number of unrelated actors. The Pink Carnation, they insisted, was something like Robin Hood, a useful myth, perpetuated to keep people's morale up during the grim days of the Napoleonic Wars, when England stood staunchly alone as the rest of Europe tumbled under Napoleon's sway. Weren't they in for a surprise! I knew who the Pink Carnation was, thanks to Mrs. Selwick-Alderly. But I needed more. I needed to be able to link Jane Wooliston to the events attributed to the Pink Carnation by the news sheets, to provide concrete proof that the Pink Carnation had not only existed, but had been continuously in operation throughout that period. The letter in my lap was an excellent start. A reference to the Pink Carnation would have been good. A letter from the Pink Carnation herself was even better. Greedily, I skimmed the first few lines. "Dearest Cousin, Paris has been a whirl of gaiety since last I wrote, with scarcely a moment to rest between engagements.. . ." Excerpted from The Masque of the Black Tulip by Lauren Willig All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.