Publisher's Weekly Review
This entertaining kickoff volume to a five-part series by bestselling author Graham (And One Rode West) is a swift historical drama set in the untamed, exotic Florida of the 1830s. In a New Orleans poker match, ``Black Irish'' plantation owner Jarrett McKenzie wins the services of gorgeous, fiery Tara Brent for a night (against her wishes) and winds up marrying her and taking her deep into the Florida jungles. Naturally, Tara and Jarrett fall in love and learn each other's secret: that she is fleeing a murder charge, and that he has strong ties to the Seminole Indians, through the tribe's leader, Osceola, who is about to make war with President Jackson's American forces. Crisis follows crisis, often separating Jarrett and Tara, but he proves his courage time and again while she grows to care for his Seminole relatives, even risking her life for them. Meanwhile, tension rises as Tara is pursued by evil Clive Carter, the son of the man she is accused of killing, and as the conflict between the U.S. Army and the Indians builds to a crisis. Graham is an indifferent stylist, but she knows what her readers want-tempestuous protagonists, titillation and just enough history to ground the plot. She delivers these elements with panache, and closes the book with an enticing prologue to volume two, The Undefeated. Author tour. (Sept.)# (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
A trumped-up murder charge sends Tara Brent running from Boston to New Orleans and into the arms of a gambler in a waterfront saloon. Little does Tara know--as she escapes into the night, pursued once again by the henchmen of the real murderer--that her rescuer will take her as his wife to his plantation deep in the wilds of Florida. Graham manipulates this exciting scenario to introduce Tara and Graham's readers to the Florida of the 1830s, where a battle rages between Seminoles and white settlers. Tara's gradual acceptance of her savage surroundings and her aggravating spouse occurs only after she accepts the Indians as individuals and friends. Graham promises that this story is the first in a series that will introduce the history of a state currently known more for Mickey Mouse than for its multicultural past. ~--Denise Perry Donavin
School Library Journal Review
YAThe turbulent life in the unsettled Florida of 1835 unfolds as Tara, running from a false accusation of murder, hastily marries Jarrett, an acquaintance who wins her in a poker game. He turns out to be wealthy plantation owner who befriends the Indians. She has trouble coping: war breaks out with the Indians, frightening her terribly. Her busy husband doesn't believe in explanations, and the newlyweds fight frequently, enjoying making up and falling helplessly in love. Their relationship is complex but characterization is realistic. Tension is relieved through subtle touches of humor especially with the pranks they play on one another. Her background remains a mystery, even to her husband, until almost the last chapter, an exciting climax that is nicely resolved. The attractive cover, the light plot, large amount of dialogue, and abundance of action make this piece of historical fiction an entertaining read.Claudia Moore, W.T. Woodson High School, Fairfax, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
This big-time bodice ripper from Graham (One Wore Blue; And One Wore Gray, not reviewed) is the first in a five-part saga about Florida. With her dedicated libido, Graham lights up the sweet savage swamps of the middle peninsula circa the early 19th century. She handles all the compulsory elements well; it's a great trick to give readers exactly what they want and still present something fresh and exciting. Her hero, Jarrett McKenzie, the grandson of an Irish lord, wins Tara Brent in a New Orleans poker game. He wants her at first sight, when he spies her across the crowded room of a waterfront brothel. Virginal Tara is blond and perfect; Jarrett is dark and perfect (``He was as natural and assured as a beast in the wild. The moonlight fell upon the sleek bulge of his forearm and shoulder for just a moment. Oh, God!''). To hide Tara from villains who have accused her of murder, Jarrett undresses her (he is astoundingly good with early American underwear) and flings her naked into his bed. He can see her in the dark because he was raised by Indians (he also is called White Tiger). Impressed, he marries her and takes his reluctant bride to his wild but well- appointed plantation near Tampa, where she will never have to cook a meal (another reason this is women's fiction), just as the Seminole chief, Osceola, declares war on the American government. There is a plot where somehow Tara and Jarrett work out their problematic relationship and the reader learns about the Seminoles, including Jarrett's muscular half-brother, Indian chief James McKenzie, also called Running Bear. But it's ultimately beside the point. Jarrett is a bit pushy for the '90s: He has an obsidian-dark glare and no sense of boundaries. Or maybe he's just so big that his boundaries overlap everyone else's. Even so, in Graham's hands, phallic Florida rises. We pant for more.
Library Journal Review
A prolific author of historical and contemporary romances (e.g., Spirit of the Season, Delacorte, 1993), Graham here begins a new multivolume family saga. Set in Florida during the 1830s, the story follows Tara Brent, who is running from a murder charge. She meets Jarrett McKenzie, who rescues her from her pursuers by marrying her and taking her to his plantation on the Florida frontier. At first frightened by the wilderness and the natives she sees as "savages," Tara learns to love Jarrett, his home, and the people he loves. The story is predictable, and the narrative flow is often interrupted by brief vignettes of Florida history. In addition, Graham's superficially drawn characters are stereotypes of the stubborn lovers unwilling to communicate. Although this novel is not one of the author's best, expect demand based on her popularity and reputation.-Barbara E. Kemp, SUNY at Albany (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Chapter 1 The Port of New Orleans Winter of 1835-36 Jarrett Mckenzie noticed the woman from the moment she first stepped into the entry of the old dockside tavern. Not that he could see much of her at first. A sweeping, hooded black cape encompassed her from head to toe. He was only certain that it was a woman who had arrived because of the graceful twirl of her body when the master of the establishment, Harold Eastwood, accosted her at the doorway. A new serving maid? Had she joined the ranks of the lovely and available ladies of the New Orleans nights? Was she late reporting for work? Jarrett wondered, and he found himself intrigued, waiting for her to cast off the cloak. If she was working here at Eastwood's fine dining establishment and parlor, then the class of the place was improving. Not that Eastwood's was a total den of iniquity. For a waterfront tavern it could boast being a respectable one. Most men came here when conducting business in this part of Louisiana, and most of them told their wives about the place. There was always good food to be had, pretty girls to sing tunes at the spinet, liquor from around the world, a woman if you wanted one, and now and then a good fight to choose a side for. The place was situated dead center in the port city of New Orleans, right on the river, and all manner of men and women came here, worked here, traded here, schemed here. New Orleans was a city Jarrett enjoyed. Established in 1718 by the French, it had grown later in the eighteenth century with the Acadian exodus from the northeast. It had passed to Spanish rule and then back to France before Thomas Jefferson had set forth to find a way to make Napoleon willing to accept his offer on the Louisiana Purchase. Jarrett had come here first as little more than a boy himself when Andrew Jackson had commanded the defense of the city against the British in 1815, and since that time Jarrett had felt a fondness for it. He liked the narrow streets of the riverfront, the charming architecture: French, Spanish, and American. He liked the wrought-iron balconies, the small gardens, the rolling Mississippi, and the lusty quality of life along the river. He had come to Eastwood's often enough, and though it had a dubious reputation, there were far more debauched places than this along the riverfront. All in all this was quite a respectable place when compared with some of the other establishments it neighbored. But from his very first sight of the woman enveloped in the black cape, Jarrett was convinced she didn't belong here. "I fold," Robert Treat, his friend and associate sitting to his left, said with a sigh. Robert threw his cards down on the oak playing table. Jarrett stared at his own hand. Three queens. Two fours. Full house. He looked at the bills and gold pieces on the table. Smiling Jack, the rich Creole from the bayou country, sat across from him with a broad grin on his face. Hell. The man might be able to bluff Saint Peter if he ever made it to the pearly gates. Jarrett took the time to drop a five-dollar gold piece on the table, then looked over the top of his cards again, watching the woman in the encompassing cape. She was still trying to explain something to Eastwood, a little potbellied man. She was slim and lithe, at least an inch or so taller than Eastwood. Jarrett wondered with some amusement if the innkeeper, whoremaster--entrepreneur, as he liked to call himself--didn't feel just a little bit intimidated by the woman. Rupert Furstenburg, the lean blond German from St. Louis, threw a wad of money down. "I raise you, gentlemen. A hundred dollars." "Damned good thing I've folded!" Robert muttered. "A hundred?" Smiling Jack offered the German a broad smile. "Pocket change. I'll see you, sir!" Jarrett was still watching the woman. Robert Treat gave him a nudge. "A hundred, Jarrett." "Right," he said absently. He curled his fingers around the stack of coins in front of him, pushing out the correct amount. Robert Treat stared at him with a frown, lowering his voice. "Are you paying any attention to this game?" "Ah, is that the question?" Smiling Jack, twirling his dark mustache, taunted lightly. "Is that plantation of yours down in the swamp doing well enough for this game?" "My swamp plantation is doing just as well as that place of yours out in the bayou," Jarrett said lazily. His cards were good enough. And his plantation was sure as hell doing well enough to support this game. "Ah, mais oui!" Jack murmured. "We've both the swamp, eh? The insects, the gators." He wagged a warning finger at Jarrett. "But you've got the Seminoles. What grows on my land is mine. My house has stood seventy years. And yours, mon ami? Poof! Even now the fellows may be sending it up in a cloud of smoke! You were a military man, so I've heard. You must know. They slip in, the Indians, they slip out. They move through the night like wraiths. They can move through the thickest brush and trees. There will be more trouble, you mark my words. Old Andy Jackson fought those savages good back in sixteen and seventeen, but he didn't get them all. There will be trouble again. It's brewing hot and hard right now. Some say those renegades even ride the alligators through the swamp." Jarrett smiled at the Frenchman's vivid description, even if his smile was somewhat forced. He'd yet to see any man, even a Seminole, riding a gator through the swamp! Jack's attitude was a fairly common one. People had the damned strangest way of looking at the Florida peninsula--and the Florida Indians. Any of the Upper and Lower Creeks who had moved south, speaking varied languages and coming from very different peoples, were grouped together. They were called Seminoles. Some said the name meant runaway. Others said that it came from the Spanish word for renegade, cimarrón. Runaways, renegades. Jarrett knew that just like him and so many white dreamers, the Indians were just seeking a better life for themselves and their families. It was a land for dreamers. Despite the summer heat, the abundance of swampland, and the infestation of snakes--and Indians--there were huge land tracts available in the state. Like the western frontiers opening up across the continent, Florida was a raw, new land for Americans. Much of it was exceptionally fine farmland. Crops could sometimes be grown year round. Vicious freezes came upon occasion in the northern part of the territory, and the summer's heat farther south was sometimes nearly as cruel, bringing sickness and disease. But most often the days were warm and balmy. The sun shone overhead. Blankets of snow did not fall, blizzards did not paralyze whole communities. Wild cattle still roamed the center of the territory from the days of the Spaniards; they were there for the taking. The hunting was extremely rich. There were great herds of deer, a few bison still roamed the northern tracks, and there were countless rabbits and wildfowls. In the hammocks and flatlands there were areas of stunning natural beauty. There were crystal springs, incredibly deep, and still a man could see clear through the earth beneath them. There was beauty, there was danger. It was not a place for the faint of heart. And the Seminoles added to the savage reputation of the American territory that Andy Jackson, along with so many others, had been determined to wrest from the Spanish. There had been a time when the Spanish had ceded the territory to the British, and during and after the American Revolution, British sympathizers had flocked south. Then the Floridas--East and West at the time--had gone back to Spain. Americans, being Americans, had kept wandering over the borders, forever reaching for new land. Spain, they claimed, could not control the territory, could not stop the Indians from raiding American farms and plantations, and could not stop them from harboring runaway slaves. The slave issue was an explosive one. Escaped slaves readily headed south into Spanish territory that actually seemed to be ruled by the savages--but savages with a far gentler attitude where black men were concerned. It wasn't that the Seminoles did not keep slaves themselves upon occasion; they did. And they could be as possessive of their property as white men when they chose. But there was a difference. Slaves might tend a Seminole master while still being free to cultivate their own plots of land. Slaves among the Seminoles were very often granted their freedom after a certain amount of service. Slaves who made it down to Florida very often found freedom, joining with free-black-Seminole bands. Whether blacks remained free or were "owned" by the Indians themselves, the Seminoles did not usually return them to white masters. In the Southern states, where the economy was so solidly based on farms and plantations, slaves were very valuable personal property. Excerpted from Runaway by Heather Graham All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.