Publisher's Weekly Review
Author of the collection Out on the Marsh and several YA titles, a son of John returns with another collection that examines the many sides of romantic and familial love. In the title story, Trevor and his Holocaust-survivor psychotherapist, Sonya, are working together to help him get over his former girlfriend and to remain single for an extended period so that he can learn about his feelings toward women. "Love Songs from America" has an American father bringing his biracial son, Harold, to his wife's Kenyan homeland, underscoring the randomness of comfort and tragedy. "Adjunct" tells of an aimless instructor, Robert, who's looking for "that illicit spark of attraction that lent to the class a certain romantic undertone and, if nothing else, made the term go faster." Though carefully observed, most of these stories suffer from a narrative passivity or abstract musing-"It was a relief to be outside again, and not have to look at her eyes, or keep up with the bantering, dangerous pace of her conversation"-that simply doesn't match the pacing and tone of the tales themselves. (July) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
Updike's latest collection explores thematic territory mapped out in previous work (e.g., Out on the Marsh). As the title suggests, the pieces here examine lost love, nostalgia, and heartbreak, ultimately affirming the potential joys of risking love again. In the title story, for example, a young academic in therapy after a breakup falls in love with a fellow graduate student and is grateful that his former romances have failed. Likewise, in what is arguably this collection's strongest contribution, "In the Age of Convertibles," an exemplary adolescent reaches the limits of his own excellence by fumbling a budding romance. VERDICT Updike's protagonists tend to be variations on a certain middle-class archetype: well educated, emotionally vulnerable, and romantically unfulfilled. They're also tolerant of or at least curious about people from different cultures, and many of the couples are biracial, inviting compelling consideration of identity issues and difference. This work encourages comparison with that of Updike's influential father, John Updike, and of John Irving and will appeal to readers of their works.-J. Greg Matthews, Washington State Univ. Libs., Pullman (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.