Summary
Combined into one volume, this is the definitive collection of Tolkien's five acclaimed modern classic 'fairie' tales in the vein of The Hobbit, read by Derek Jacobi.
The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked because of their short lengths, they are finally together in a volume which reaffirms Tolkien's place as a master storyteller for readers young and old.
Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures. Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when a dragon comes to town; The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls; Leaf by Niggle recounts the strange adventures of the painter Niggle who sets out to paint the perfect tree; Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children.
Taken together, this rich collection of tales from the author of The Children of Húrin will provide the reader with a fascinating journey into lands as wild and strange as Middle-earth.
Author Notes
A writer of fantasies, Tolkien, a professor of language and literature at Oxford University, was always intrigued by early English and the imaginative use of language. In his greatest story, the trilogy The Lord of the Rings (1954--56), Tolkien invented a language with vocabulary, grammar, syntax, even poetry of its own. Though readers have created various possible allegorical interpretations, Tolkien has said: "It is not about anything but itself. (Certainly it has no allegorical intentions, general, particular or topical, moral, religious or political.)" In The Adventures of Tom Bombadil (1962), Tolkien tells the story of the "master of wood, water, and hill," a jolly teller of tales and singer of songs, one of the multitude of characters in his romance, saga, epic, or fairy tales about his country of the Hobbits.
Tolkien was also a formidable medieval scholar, as evidenced by his work, Beowulf: The Monster and the Critics (1936) and his edition of Anciene Wisse: English Text of the Anciene Riwle.
Among his works published posthumously, are The Legend of Sigurd and Gudrún and The Fall of Arthur, which was edited by his son, Christopher.
In 2013, his title, The\Hobbit (Movie Tie-In) made The New York Times Best Seller List.
(Bowker Author Biography)
Guardian Review
You either like haggis or you don't; it's an acquired taste. I feel the same about Tolkien, but duty dictates that I should tell the legions of Bilbo Baggins devotees about this new collection of Tolkien's poems and stories, some connected with Middle Earth, some not, but just as facile and cutesy. Farmers bumping into dragons, princesses scampering down to rivers to see ships full of fairies playing harps, and a dear little dog called Rover who meets a wizard who steals his yellow ball and . . . enough. Jacobi does his best and there's a lot of jolly oom-pa-pa music, but as I said, you either like Tolkien or you don't. - Sue Arnold You either like haggis or you don't; it's an acquired taste. - Sue Arnold.
Library Journal Review
Tolkien's four novellas--Farmer Giles of Ham, Leaf by Niggle, Smith of Wootton Major, and Roverandom--and one book of poems--The Adventures of Tom Bombadil--get together in this illustrated edition. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
FAERIE is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold . . . The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost. J.R.R. Tolkien , from On Fairy-Stories, a lecture given on 8 March 1939. The full text is reproduced at the end of this book. * * * Once upon a time there was a little dog, and his name was Rover. He was very small, and very young, or he would have known better; and he was very happy playing in the garden in the sunshine with a yellow ball, or he would never have done what he did. Not every old man with ragged trousers is a bad old man: some are bone-and-bottle men, and have little dogs of their own; and some are gardeners; and a few, a very few, are wizards prowling round on a holiday looking for something to do. This one was a wizard, the one that now walked into the story. He came wandering up the gardenpath in a ragged old coat, with an old pipe in his mouth, and an old green hat on his head. If Rover had not been so busy barking at the ball, he might have noticed the blue feather stuck in the back of the green hat, and then he would have suspected that the man was a wizard, as any other sensible little dog would; but he never saw the feather at all. When the old man stooped down and picked up the ball - he was thinking of turning it into an orange, or even a bone or a piece of meat for Rover - Rover growled, and said: 'Put it down!' Without ever a 'please'. Of course the wizard, being a wizard, understood perfectly, and he answered back again: 'Be quiet, silly!' Without ever a 'please'. Then he put the ball in his pocket, just to tease the dog, and turned away. I am sorry to say that Rover immediately bit his trousers, and tore out quite a piece. Perhaps he also tore out a piece of the wizard. Anyway the old man suddenly turned round very angry and shouted: 'Idiot! Go and be a toy!' After that the most peculiar things began to happen. Rover was only a little dog to begin with, but he suddenly felt very much smaller. The grass seemed to grow monstrously tall and wave far above his head; and a long way away through the grass, like the sun rising through the trees of a forest, he could see the huge yellow ball, where the wizard had thrown it down again. He heard the gate click as the old man went out, but he could not see him. He tried to bark, but only a little tiny noise came out, too small for ordinary people to hear; and I don't suppose even a dog would have noticed it. So small had he become that I am sure, if a cat had come along just then, she would have thought Rover was a mouse, and would have eaten him. Tinker would. Tinker was the large black cat that lived in the same house. At the very thought of Tinker, Rover began to feel thoroughly frightened; but cats were soon put right out of his mind. The garden about him suddenly vanished, and Rover felt himself whisked off, he didn't know where. When the rush was over, he found he was in the dark, lying against a lot of hard things; and there he lay, in a stuffy box by the feel of it, very uncomfortably for a long while. He had nothing to eat or drink; but worst of all, he found he could not move. At first he thought this was because he was packed so tight, but afterwards he discovered that in the daytime he could only move very little, and with a great effort, and then only when no one was looking. Only after midnight could he walk and wag his tail, and a bit stiffly at that. He had become a toy. And because he had not said 'please' to the wizard, now all day long he had to sit up and beg. He was fixed like that. After what seemed a very long, dark time he tried once more to bark loud enough to make people hear. Then he tried to bite the other things in the box with him, stupid little toy animals, really only made of wood or lead, not enchanted real dogs like Rover. But it was no good; he could not bark or bite. Suddenly someone came and took off the lid of the box, and let in the light. 'We had better put a few of these animals in the window this morning, Harry,' said a voice, and a hand came into the box. 'Where did this one come from?' said the voice, as the hand took hold of Rover. 'I don't remember seeing this one before. It's no business in the threepenny box, I'm sure. Did you ever see anything so real-looking? Look at its fur and its eyes!' 'Mark him sixpence,' said Harry, 'and put him in the front of the window!' Excerpted from Tales from the Perilous Realm by J. R. R. Tolkien All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
