Kirkus Review
A greatest-hits collection of oral history and first-person accounts, containing little new materal but sprinkled with gems.The New Press editorial director Favreau (co-editor: Remembering Slavery, 1998) writes that, prior to his death, Howard Zinn urged the publisher to assemble this collection, which, like Zinn's many People's Histories, provide an alternative, bottoms-up, less-triumphalist view of America that has provoked controversy but whose focus on individuals and the downtrodden has entered the mainstream. Zinn's radicalism is modestly in evidence here, although World War II tended to trump political beliefs. The old master, Studs Terkel, distills half-a-dozen of the best narratives from otherwise inarticulate participants, plus a scientist who muses without guilt about building the atomic bomb. Several memoir excerpts deliver a more sophisticated view. Historian Eric Hobsbawm spent the war in Britain as an enlisted man, often bored, maintaining his pre-war communist connections while paying little attention to party directives. American black radical Nelson Peery describes a nasty encounter with Japanese troops in one section, an equally nasty race riot in another. Primo Levi revisits Auschwitz after 40 years. A few interviews and statements written in the heat of the moment (a pacifist defends his beliefs, scientists denounce nuclear weapons) have lost their sting. Readers will probably enjoy the last essay most: An ex-refugee from Europe describes the incomprehensible (to Americans) nightmare of "lacking proper documents" and then his delight in arriving in prosperous postwar United States as a teenager, where no one cared about papers.Plenty of memoirs, autobiographies and oral histories cover this period in richer detail, but anyone who skims this book will find plenty of opportunities to stop and read more carefully.]] Copyright Kirkus Reviews, used with permission.
Booklist Review
Billed as a greatest hits collection of first-person WWII testimonials, this involving book, in the editor's words, samples from the rich outpouring of personal testimony and literary expression captured by a gifted set of historians and writers. Think of it as a WWII primer, an anthology of selections from the writings of historians like Studs Terkel, first-hand accounts (e.g., of Hiroshima and Nagasaki), memoirs, and photo essays by Ansel Adams and others. There's even a quartet of antiwar cartoons by a fella named Theodor Geisel, later known as Dr. Seuss. Serious WWII history buffs will likely have read most or all of this material, but the book appears to be aimed more at readers whose researches into the period are just beginning. Smartly organized, with sections on Pearl Harbor, the war in Europe, the U.S. home front, and the Pacific War, as well as a brief account of the postwar years, the book should not be confused with an in-depth history of the period, but on its own terms, it delivers the goods.--Pitt, David Copyright 2010 Booklist
Library Journal Review
This book very much follows the philosophy of the late editor of the series, Howard Zinn. Favreau (editorial director, New Pr.) presents a thematic arrangement of previously published vignettes from authors such as John Dower, Studs Terkel, and Eric Hobsbawn. The results are not your typical overview of World War II. The pieces are picked to show different viewpoints of ordinary citizens, including the women who undertook factory jobs, African American soldiers from the Jim Crow South, a Japanese soldier facing the American military in the Pacific, interned Japanese Americans, residents of occupied Paris, and more. It's an absorbing and eclectic volume. VERDICT While possibly difficult to follow by those new to studying the war, the thematic arrangement makes it perfect for students, high school and up, and those with knowledge of the war looking for unexplored tidbits.-B.D. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
